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Shakespeare’s Women and Claire Bloom

Author: Infobase,; First-Run Features (Firm)
Publisher: [Place of publication not identified] : First Run Features, New York, N.Y. : Distributed by Infobase, [1998] 2017. ©1998
Edition/Format:   eVideo : Clipart/images/graphics : English
Summary:
“Claire Bloom’s wise, witty and charming look at the art of Shakespearean acting, rich with excerpts from television productions and her famous films with Laurence Olivier, will provide lovers of the Bard and of acting in general with an unforgettable evening’s entertainment. Engaging viewers in direct conversations as well as riveting solo readings, Bloom offers an absorbing introduction to the literature that has  Read more...
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Genre/Form: Internet videos
Material Type: Clipart/images/graphics, Internet resource, Videorecording
Document Type: Internet Resource, Computer File, Visual material
All Authors / Contributors: Infobase,; First-Run Features (Firm)
OCLC Number: 1053688394
Language Note: Closed-captioned.
Notes: Originally released by First Run Features, 1998.
Streaming video file encoded with permission for digital streaming by Infobase on August 24, 2017.
Target Audience: Academic/AP
Description: 1 online resource (1 video file (52 min., 8 sec)) : sound, color.
Contents: Bloom's Early Career (3:05); Ageism and Adaptations (5:08); Bloom's Creative Process (7:34); "Quality of Mercy" (2:05); Rosalind, Viola, and Gender (3:33); "Hamlet," Burton, and "Cymbeline" (8:04); Teaching Shakespeare (3:57); Volumnia and Lady Constance (9:11); Katherine of Aragon (5:15); Emilia and Desdemona (3:02); Credits: Shakespeare’s Women and Claire Bloom (1:14);
Responsibility: First Run Features.

Abstract:

“Claire Bloom’s wise, witty and charming look at the art of Shakespearean acting, rich with excerpts from television productions and her famous films with Laurence Olivier, will provide lovers of the Bard and of acting in general with an unforgettable evening’s entertainment. Engaging viewers in direct conversations as well as riveting solo readings, Bloom offers an absorbing introduction to the literature that has so captivated movie audiences in recent years, through heroines famous like Ophelia in Hamlet and obscure like Lady Constance in King John. A lovely look at Bloom’s career, plus sensible, clear introductions to the more extended excerpts, this lovely hour is a model of how to present high art to a broad audience without losing either the art or the audience” (The Hollywood Reporter ).

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