The simplest of signs : Victor Hugo and the language of images in France, 1850-1950 (Libro, 2004) [WorldCat.org]
omitir hasta el contenido
The simplest of signs : Victor Hugo and the language of images in France, 1850-1950 Ver este material de antemano
CerrarVer este material de antemano
Chequeando…

The simplest of signs : Victor Hugo and the language of images in France, 1850-1950

Autor: Timothy Bell Raser
Editorial: Newark : University of Delaware Press, ©2004.
Edición/Formato:   Libro impreso : Inglés (eng)Ver todas las ediciones y todos los formatos
Resumen:
"Victor Hugo's writings and the plastic arts have often been discussed, but rarely has their relation been specified. In The Simplest of Signs, Raser uses semiotic analysis to isolate features of Hugo's discourse (his use of dates, facts, performatives, etc.) to show, on the one hand, how Hugo used these to participate in the greater Romantic project of creating effects of immediacy and presence, and, on the other,
Calificación:

(todavía no calificado) 0 con reseñas - Ser el primero.

Temas
Más materiales como éste

Encontrar un ejemplar en la biblioteca

&AllPage.SpinnerRetrieving; Encontrando bibliotecas que tienen este material…

Detalles

Género/Forma: Criticism, interpretation, etc
Formato físico adicional: Online version:
Raser, Timothy Bell.
Simplest of signs.
Newark : University of Delaware Press, ©2004
(OCoLC)607235933
Persona designada: Victor Hugo; Victor Hugo; Victor Hugo; Adèle Hugo; Victor Hugo
Tipo de material: Recurso en Internet
Tipo de documento Libro, Recurso internet
Todos autores / colaboradores: Timothy Bell Raser
ISBN: 0874138671 9780874138672
Número OCLC: 53900596
Notas: Includes essays previously published in variuous publications between 1992 and 1998.
Descripción: 217 pages ; 24 cm
Contenido: Simple Signs in Hugo: Dates, Words, Names, and Facts --
Hugo's Dates: The Functions of Chronology --
Limits of Performative Language in Hugo's Theater --
People, Places, and Apostrophe in "Tristesse d'Olympio" --
Quatrevingt-treize: Revolution and AEsthetics --
Hugo's Textual Systems: Antithesis, Inscription, Ekphrasis --
Politics and AEsthetics of Race in Bug-Jargal --
The Discipline of Letters: Le Dernier Jour d'un condamne --
Reading and Refereince in Notre-Dame de Paris --
Literary Accounts of the Visual Arts: Narrative, Citation, and Attribution --
Painting Pictures with Words --
Reading and Denotation --
Art Criticism's Narratives --
The End of Citation in Baudelaire's Art Criticism --
Claiming Painting for Literature: Fromentin and Claudel --
Sartre and Tintoretto: This Side of Words.
Responsabilidad: Timothy Raser.
Más información:

Resumen:

Must we learn how to read pictures? Or are pictures viewed, and texts read? If both pictures and texts are read, what theory accounts both for this reading and the manifest differences that exist  Leer más

Reseñas

Reseñas contribuidas por usuarios
Recuperando reseñas de GoodReads…
Recuperando reseñas de DOGObooks…

Etiquetas

Ser el primero.
Confirmar este pedido

Ya ha pedido este material. Escoja OK si desea procesar el pedido de todos modos.

Cerrar ventana

Inicie una sesión con WorldCat 

¿No tienes una cuenta? Puede fácilmente crear una cuenta gratuita.