The simplest of signs : Victor Hugo and the language of images in France, 1850-1950 (圖書, 2004) [WorldCat.org]
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The simplest of signs : Victor Hugo and the language of images in France, 1850-1950

作者: Timothy Bell Raser
出版商: Newark : University of Delaware Press, ©2004.
版本/格式:   打印圖書 : 英語所有版本和格式的總覽
提要:
"Victor Hugo's writings and the plastic arts have often been discussed, but rarely has their relation been specified. In The Simplest of Signs, Raser uses semiotic analysis to isolate features of Hugo's discourse (his use of dates, facts, performatives, etc.) to show, on the one hand, how Hugo used these to participate in the greater Romantic project of creating effects of immediacy and presence, and, on the other,
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類型/形式: Criticism, interpretation, etc
其他的實體格式: Online version:
Raser, Timothy Bell.
Simplest of signs.
Newark : University of Delaware Press, ©2004
(OCoLC)607235933
提及的人: Victor Hugo; Victor Hugo; Victor Hugo; Adèle Hugo; Victor Hugo
資料類型: 網際網路資源
文件類型 圖書, 網際網路資源
所有的作者/貢獻者: Timothy Bell Raser
ISBN: 0874138671 9780874138672
OCLC系統控制編碼: 53900596
註釋: Includes essays previously published in variuous publications between 1992 and 1998.
描述: 217 pages ; 24 cm
内容: Simple Signs in Hugo: Dates, Words, Names, and Facts --
Hugo's Dates: The Functions of Chronology --
Limits of Performative Language in Hugo's Theater --
People, Places, and Apostrophe in "Tristesse d'Olympio" --
Quatrevingt-treize: Revolution and AEsthetics --
Hugo's Textual Systems: Antithesis, Inscription, Ekphrasis --
Politics and AEsthetics of Race in Bug-Jargal --
The Discipline of Letters: Le Dernier Jour d'un condamne --
Reading and Refereince in Notre-Dame de Paris --
Literary Accounts of the Visual Arts: Narrative, Citation, and Attribution --
Painting Pictures with Words --
Reading and Denotation --
Art Criticism's Narratives --
The End of Citation in Baudelaire's Art Criticism --
Claiming Painting for Literature: Fromentin and Claudel --
Sartre and Tintoretto: This Side of Words.
責任: Timothy Raser.
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Must we learn how to read pictures? Or are pictures viewed, and texts read? If both pictures and texts are read, what theory accounts both for this reading and the manifest differences that exist  再讀一些...

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