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The Solaris effect : art & artifice in contemporary American film

Author: Steven Dillon
Publisher: Austin : University of Texas Press, 2006.
Edition/Format:   eBook : Document : State or province government publication : English : 1st edView all editions and formats
Summary:

What do contemporary American movies and directors have to say about the relationship between nature and art? This book surveys American cinema from 1990 to 2002 with substantial descriptions of  Read more...

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Genre/Form: Electronic books
Electronic book
Additional Physical Format: Print version:
Dillon, Steven, 1960-
Solaris effect.
Austin : University of Texas Press, 2006
(DLC) 2006014047
Material Type: Document, Government publication, State or province government publication, Internet resource
Document Type: Internet Resource, Computer File
All Authors / Contributors: Steven Dillon
ISBN: 9780292795617 0292795610
OCLC Number: 614506111
Reproduction Notes: Electronic reproduction. [S.l.] : HathiTrust Digital Library, 2010. MiAaHDL
Description: 1 online resource (xiii, 265 pages)
Details: Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
Contents: PrefaceAcknowledgmentsChapter One. Tarkovsky's Solaris and the Cinematic AbyssChapter Two. Steven Soderbergh's Tinted WorldChapter Three. Aronofsky, Sundance, and the Return to NatureChapter Four. Mulholland Drive, Cahiers du cinema, and the Horror of CinephiliaChapter Five. Spielberg's A.I.: Animation, Time, and Digital CultureChapter Six. Cinema against Art: Artists and Paintings in Contemporary American FilmChapter Seven. A Plague of Frogs: Expressionism and Naturalism in 1990s American FilmChapter Eight. Situating American Film in Godard, Jarmusch, and ScorseseNotesBibliographyIndex
Responsibility: Steven Dillon.

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