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The song machine : inside the hit factory

Author: John Seabrook
Publisher: New York : W.W. Norton & Company, [2015] ©2015
Edition/Format:   Print book : Document   Computer File : English : First editionView all editions and formats
Summary:
Here's a reason hit songs offer such guilty pleasure--they're designed that way. Over the last two decades a new type of hit song has emerged, one that is almost inescapably catchy. Pop songs have always had a "hook," but today's songs bristle with them: a hook every seven seconds is the rule. Painstakingly crafted to tweak the brain's delight in melody, rhythm, and repetition, these songs are highly processed  Read more...
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Genre/Form: Narrative non-fiction
Additional Physical Format: Print version:
Material Type: Document
Document Type: Book, Computer File
All Authors / Contributors: John Seabrook
ISBN: 9780393241921 0393241920 9781448191017 1448191017
OCLC Number: 902661497
Notes: Includes index.
Description: x, 338 pages ; 24 cm
Contents: A Hook: The bliss point. You spin me round ; A continuity of hits --
First verse: Cheiron : Mr. Pop: and the Metalhead. Inside the box ; "The sign" ; Big Poppa ; Martin Sandberg's terrible secret ; Britney Spears : hit me baby ; "I want it that way" --
Chorus The money note : the ballad of Kelly and Clive. My ancestral hit parade ; The dragon's teeth ; The doldrums ; American Idol ; "Since u been gone" --
Second verse: Factory girls : cultural technology and the making of K-pop. "Gee" --
Chorus: Rihanna : track-and-hook. "Umbrella" ; "Ester Dean: On the hook" ; Stargate: those lanky Norwegian dudes ; "Rude boy" --
Bridge: Dr. Luke : teenage dream. Speed chess ; Katy Perry : altar call ; Melodic math ; Kesha : teenage nightmare --
Chorus: Spotify. The moment space --
Outro: Songworm. "Roar."
Responsibility: John Seabrook.

Abstract:

But `All That She Wants' heralded the arrival of a new type of hitmaker, the faceless teams behind the music who painstakingly craft tunes to tweak the brain's delight in melody, rhythm and  Read more...

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"Revelatory, funny, and full of almost unbelievable details" -- Eric Schlosser, author of 'Fast Food Nation' "As addictive as its subject" * Sunday Times * "A gripping investigation of modern Read more...

 
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Over the last two decades a new type of hit song has emerged, one that is almost inescapably catchy. Pop songs have always had a \"hook,\" but today\'s songs bristle with them: a hook every seven seconds is the rule. Painstakingly crafted to tweak the brain\'s delight in melody, rhythm, and repetition, these songs are highly processed products. Like snack-food engineers, modern songwriters have discovered the musical \"bliss point.\" And just like junk food, the bliss point leaves you wanting more. In The Song Machine, longtime New Yorker staff writer John Seabrook tells the story of the massive cultural upheaval that produced these new, super-strength hits. Seabrook takes us into a strange and surprising world, full of unexpected and vivid characters, as he traces the growth of this new approach to hit-making from its obscure origins in early 1990s Sweden to its dominance of today\'s Billboard charts. Going beyond music to discuss money, business, marketing, and technology, The Song Machine explores what the new hits may be doing to our brains and listening habits, especially as services like Spotify and Apple Music use streaming data to gather music into new genres invented by algorithms based on listener behavior. Revelatory and original, this book will change the way you listen to music.--Adapted from book jacket.<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\nschema:description<\/a> \"A Hook: The bliss point. You spin me round ; A continuity of hits -- First verse: Cheiron : Mr. Pop: and the Metalhead. Inside the box ; \"The sign\" ; Big Poppa ; Martin Sandberg\'s terrible secret ; Britney Spears : hit me baby ; \"I want it that way\" -- Chorus The money note : the ballad of Kelly and Clive. 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