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Sorry we missed you

Author: Ken LoachPaul LavertyRebecca O'BrienKris HitchenDebbie HoneywoodAll authors
Publisher: New York, NY : Kino Lorber : Zeitgeist Films, [2020] ©2020
Edition/Format:   DVD video : NTSC color broadcast system : EnglishView all editions and formats
Summary:
Ricky and his wife Abby, who lost their home in the 2008 financial crash, are desperate to get out of their economic distress. When Ricky gets the opportunity to be his own boss as a delivery driver, they trade in their only asset, Abby's car, for a new white van and the dream that Ricky can work his way up to owning his own franchise. But the couple find their lives are quickly pushed further to the edge by an  Read more...
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Genre/Form: Feature films
Video recordings for the hearing impaired
Drama
Social problem films
Fiction films
Material Type: Videorecording
Document Type: Visual material
All Authors / Contributors: Ken Loach; Paul Laverty; Rebecca O'Brien; Kris Hitchen; Debbie Honeywood; Rhys Stone; Katie Proctor; Robbie Ryan; George Fenton; Jonathan Morris; Sixteen Films (Firm),; Why Not Productions Inc.,; Wild Bunch (Firm),; British Film Institute,; BBC Films,; Films du fleuve (Firm),; France 2 cinéma (Firm),; Studio Canal+,; France télévision,; Pacte (Firm),; Cineart TV (Firm),; Ciné+ (France),; VOO (Firm),; Be TV (Firm),; Kino Lorber, Inc.,; Zeitgeist Films,
OCLC Number: 1154414270
Language Note: English dialogue; English subtitles.
Notes: Originally released as a motion picture in 2019.
Wide screen.
Special features: Audio commentary with director Ken Loach and writer Paul Laverty; Making Sorry we missed you; deleted scenes; gallery - paintings by Aiden Doyle.
Credits: Director of photography, Robbie Ryan ; casting director, Kahleen Crawford ; editor, Jonathan Morris ; music, George Fenton.
Cast: Kris Hitchen, Debbie Honeywood, Rhys Stone, Katie Proctor.
Target Audience: Rating: Not rated.
Description: 1 videodisc (101 min.) : sound, color ; 4 3/4 in.
Details: DVD, NTSC, region 1; wide screen, Dolby digital 5.1 or 2.0.
Responsibility: Sixteen Films, Why Not Productions, Wild Bunch, BFI, BBC Films, Les Films du Flueve, France 2 Cinéma, Canal+, France Télévisions, Le Pacte, Cinéart, Ciné+, VOO and Be TV ; screenplay, Paul Laverty ; producer, Rebecca O'Brien ; director, Ken Loach.

Abstract:

Ricky and his wife Abby, who lost their home in the 2008 financial crash, are desperate to get out of their economic distress. When Ricky gets the opportunity to be his own boss as a delivery driver, they trade in their only asset, Abby's car, for a new white van and the dream that Ricky can work his way up to owning his own franchise. But the couple find their lives are quickly pushed further to the edge by an unrelenting work schedule, a ruthless supervisor, and the needs of their children.

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Linked Data


\n\n

Primary Entity<\/h3>\n
<http:\/\/www.worldcat.org\/oclc\/1154414270<\/a>> # Sorry we missed you<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Movie<\/a>, schema:CreativeWork<\/a>, bgn:DVD<\/a> ;\u00A0\u00A0\u00A0\nlibrary:oclcnum<\/a> \"1154414270<\/span>\" ;\u00A0\u00A0\u00A0\nlibrary:placeOfPublication<\/a> <http:\/\/id.loc.gov\/vocabulary\/countries\/nyu<\/a>> ;\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/10084155236#Topic\/debt<\/a>> ; # Debt<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/10084155236#Topic\/working_class_families_england<\/a>> ; # Working class families--England<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/dewey.info\/class\/791.4372\/e23\/<\/a>> ;\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/10084155236#Topic\/autonomy<\/a>> ; # Autonomy<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/10084155236#Topic\/home_health_aides<\/a>> ; # Home health aides<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/10084155236#Topic\/independent_contractors<\/a>> ; # Independent contractors<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/10084155236#Topic\/man_woman_relationships<\/a>> ; # Man-woman relationships<\/span>\n\u00A0\u00A0\u00A0\nschema:actor<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/10084155236#Person\/honeywood_debbie<\/a>> ; # Debbie Honeywood<\/span>\n\u00A0\u00A0\u00A0\nschema:actor<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/10084155236#Person\/hitchen_kris_1974<\/a>> ; # Kris Hitchen<\/span>\n\u00A0\u00A0\u00A0\nschema:actor<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/10084155236#Person\/proctor_katie<\/a>> ; # Katie Proctor<\/span>\n\u00A0\u00A0\u00A0\nschema:actor<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/10084155236#Person\/stone_rhys<\/a>> ; # Rhys Stone<\/span>\n\u00A0\u00A0\u00A0\nschema:author<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/10084155236#Person\/laverty_paul<\/a>> ; # Paul Laverty<\/span>\n\u00A0\u00A0\u00A0\nschema:contentRating<\/a> \"Rating: Not rated.<\/span>\" ;\u00A0\u00A0\u00A0\nschema:contributor<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/10084155236#Person\/o_brien_rebecca<\/a>> ; # Rebecca O\'Brien<\/span>\n\u00A0\u00A0\u00A0\nschema:contributor<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/10084155236#Person\/morris_jonathan_1949<\/a>> ; # Jonathan Morris<\/span>\n\u00A0\u00A0\u00A0\nschema:contributor<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/10084155236#Person\/fenton_george<\/a>> ; # George Fenton<\/span>\n\u00A0\u00A0\u00A0\nschema:contributor<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/10084155236#Person\/ryan_robbie<\/a>> ; # Robbie Ryan<\/span>\n\u00A0\u00A0\u00A0\nschema:contributor<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/10084155236#Person\/loach_ken_1936<\/a>> ; # Ken Loach<\/span>\n\u00A0\u00A0\u00A0\nschema:description<\/a> \"Ricky and his wife Abby, who lost their home in the 2008 financial crash, are desperate to get out of their economic distress. When Ricky gets the opportunity to be his own boss as a delivery driver, they trade in their only asset, Abby\'s car, for a new white van and the dream that Ricky can work his way up to owning his own franchise. But the couple find their lives are quickly pushed further to the edge by an unrelenting work schedule, a ruthless supervisor, and the needs of their children.<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\nschema:exampleOfWork<\/a> <http:\/\/worldcat.org\/entity\/work\/id\/10084155236<\/a>> ;\u00A0\u00A0\u00A0\nschema:genre<\/a> \"Feature films<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\nschema:genre<\/a> \"Drama<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\nschema:genre<\/a> \"Social problem films<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\nschema:genre<\/a> \"Video recordings for the hearing impaired<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\nschema:genre<\/a> \"Fiction films<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\nschema:inLanguage<\/a> \"en<\/span>\" ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Sorry we missed you<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\nschema:productID<\/a> \"1154414270<\/span>\" ;\u00A0\u00A0\u00A0\nschema:productionCompany<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/10084155236#Organization\/cineart_tv_firm<\/a>> ; # Cineart TV (Firm),<\/span>\n\u00A0\u00A0\u00A0\nschema:productionCompany<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/10084155236#Organization\/wild_bunch_firm<\/a>> ; # Wild Bunch (Firm),<\/span>\n\u00A0\u00A0\u00A0\nschema:productionCompany<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/10084155236#Organization\/be_tv_firm<\/a>> ; # Be TV (Firm),<\/span>\n\u00A0\u00A0\u00A0\nschema:productionCompany<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/10084155236#Organization\/films_du_fleuve_firm<\/a>> ; # Films du fleuve (Firm),<\/span>\n\u00A0\u00A0\u00A0\nschema:productionCompany<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/10084155236#Organization\/france_television<\/a>> ; # France t\u00E9l\u00E9vision,<\/span>\n\u00A0\u00A0\u00A0\nschema:productionCompany<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/10084155236#Organization\/british_film_institute<\/a>> ; # British Film Institute,<\/span>\n\u00A0\u00A0\u00A0\nschema:productionCompany<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/10084155236#Organization\/voo_firm<\/a>> ; # VOO (Firm),<\/span>\n\u00A0\u00A0\u00A0\nschema:productionCompany<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/10084155236#Organization\/sixteen_films_firm<\/a>> ; # Sixteen Films (Firm),<\/span>\n\u00A0\u00A0\u00A0\nschema:productionCompany<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/10084155236#Organization\/studio_canal+<\/a>> ; # Studio Canal+,<\/span>\n\u00A0\u00A0\u00A0\nschema:productionCompany<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/10084155236#Organization\/france_2_cinema_firm<\/a>> ; # France 2 cin\u00E9ma (Firm),<\/span>\n\u00A0\u00A0\u00A0\nschema:productionCompany<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/10084155236#Organization\/why_not_productions_inc<\/a>> ; # Why Not Productions Inc.,<\/span>\n\u00A0\u00A0\u00A0\nschema:productionCompany<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/10084155236#Organization\/bbc_films<\/a>> ; # BBC Films,<\/span>\n\u00A0\u00A0\u00A0\nschema:productionCompany<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/10084155236#Organization\/pacte_firm<\/a>> ; # Pacte (Firm),<\/span>\n\u00A0\u00A0\u00A0\nschema:productionCompany<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/10084155236#Organization\/cine+_france<\/a>> ; # Cin\u00E9+ (France),<\/span>\n\u00A0\u00A0\u00A0\nschema:publisher<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/10084155236#Organization\/zeitgeist_films<\/a>> ; # Zeitgeist Films,<\/span>\n\u00A0\u00A0\u00A0\nschema:publisher<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/10084155236#Organization\/kino_lorber_inc<\/a>> ; # Kino Lorber, Inc.,<\/span>\n\u00A0\u00A0\u00A0\nwdrs:describedby<\/a> <http:\/\/www.worldcat.org\/title\/-\/oclc\/1154414270<\/a>> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n\n

Related Entities<\/h3>\n
<http:\/\/dewey.info\/class\/791.4372\/e23\/<\/a>>\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/10084155236#Organization\/bbc_films<\/a>> # BBC Films,<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Organization<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"BBC Films,<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/10084155236#Organization\/be_tv_firm<\/a>> # Be TV (Firm),<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Organization<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Be TV (Firm),<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/10084155236#Organization\/british_film_institute<\/a>> # British Film Institute,<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Organization<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"British Film Institute,<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/10084155236#Organization\/cine+_france<\/a>> # Cin\u00E9+ (France),<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Organization<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Cin\u00E9+ (France),<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/10084155236#Organization\/cineart_tv_firm<\/a>> # Cineart TV (Firm),<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Organization<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Cineart TV (Firm),<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/10084155236#Organization\/films_du_fleuve_firm<\/a>> # Films du fleuve (Firm),<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Organization<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Films du fleuve (Firm),<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/10084155236#Organization\/france_2_cinema_firm<\/a>> # France 2 cin\u00E9ma (Firm),<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Organization<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"France 2 cin\u00E9ma (Firm),<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/10084155236#Organization\/france_television<\/a>> # France t\u00E9l\u00E9vision,<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Organization<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"France t\u00E9l\u00E9vision,<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/10084155236#Organization\/kino_lorber_inc<\/a>> # Kino Lorber, Inc.,<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Organization<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Kino Lorber, Inc.,<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/10084155236#Organization\/pacte_firm<\/a>> # Pacte (Firm),<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Organization<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Pacte (Firm),<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/10084155236#Organization\/sixteen_films_firm<\/a>> # Sixteen Films (Firm),<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Organization<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Sixteen Films (Firm),<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/10084155236#Organization\/studio_canal+<\/a>> # Studio Canal+,<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Organization<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Studio Canal+,<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/10084155236#Organization\/voo_firm<\/a>> # VOO (Firm),<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Organization<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"VOO (Firm),<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/10084155236#Organization\/why_not_productions_inc<\/a>> # Why Not Productions Inc.,<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Organization<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Why Not Productions Inc.,<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/10084155236#Organization\/wild_bunch_firm<\/a>> # Wild Bunch (Firm),<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Organization<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Wild Bunch (Firm),<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/10084155236#Organization\/zeitgeist_films<\/a>> # Zeitgeist Films,<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Organization<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Zeitgeist Films,<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/10084155236#Person\/fenton_george<\/a>> # George Fenton<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Person<\/a> ;\u00A0\u00A0\u00A0\nschema:familyName<\/a> \"Fenton<\/span>\" ;\u00A0\u00A0\u00A0\nschema:givenName<\/a> \"George<\/span>\" ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"George Fenton<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/10084155236#Person\/hitchen_kris_1974<\/a>> # Kris Hitchen<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Person<\/a> ;\u00A0\u00A0\u00A0\nschema:birthDate<\/a> \"1974<\/span>\" ;\u00A0\u00A0\u00A0\nschema:familyName<\/a> \"Hitchen<\/span>\" ;\u00A0\u00A0\u00A0\nschema:givenName<\/a> \"Kris<\/span>\" ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Kris Hitchen<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/10084155236#Person\/honeywood_debbie<\/a>> # Debbie Honeywood<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Person<\/a> ;\u00A0\u00A0\u00A0\nschema:familyName<\/a> \"Honeywood<\/span>\" ;\u00A0\u00A0\u00A0\nschema:givenName<\/a> \"Debbie<\/span>\" ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Debbie Honeywood<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/10084155236#Person\/laverty_paul<\/a>> # Paul Laverty<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Person<\/a> ;\u00A0\u00A0\u00A0\nschema:familyName<\/a> \"Laverty<\/span>\" ;\u00A0\u00A0\u00A0\nschema:givenName<\/a> \"Paul<\/span>\" ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Paul Laverty<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/10084155236#Person\/loach_ken_1936<\/a>> # Ken Loach<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Person<\/a> ;\u00A0\u00A0\u00A0\nschema:birthDate<\/a> \"1936<\/span>\" ;\u00A0\u00A0\u00A0\nschema:familyName<\/a> \"Loach<\/span>\" ;\u00A0\u00A0\u00A0\nschema:givenName<\/a> \"Ken<\/span>\" ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Ken Loach<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/10084155236#Person\/morris_jonathan_1949<\/a>> # Jonathan Morris<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Person<\/a> ;\u00A0\u00A0\u00A0\nschema:birthDate<\/a> \"1949<\/span>\" ;\u00A0\u00A0\u00A0\nschema:familyName<\/a> \"Morris<\/span>\" ;\u00A0\u00A0\u00A0\nschema:givenName<\/a> \"Jonathan<\/span>\" ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Jonathan Morris<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/10084155236#Person\/o_brien_rebecca<\/a>> # Rebecca O\'Brien<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Person<\/a> ;\u00A0\u00A0\u00A0\nschema:familyName<\/a> \"O\'Brien<\/span>\" ;\u00A0\u00A0\u00A0\nschema:givenName<\/a> \"Rebecca<\/span>\" ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Rebecca O\'Brien<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/10084155236#Person\/proctor_katie<\/a>> # Katie Proctor<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Person<\/a> ;\u00A0\u00A0\u00A0\nschema:familyName<\/a> \"Proctor<\/span>\" ;\u00A0\u00A0\u00A0\nschema:givenName<\/a> \"Katie<\/span>\" ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Katie Proctor<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/10084155236#Person\/ryan_robbie<\/a>> # Robbie Ryan<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Person<\/a> ;\u00A0\u00A0\u00A0\nschema:familyName<\/a> \"Ryan<\/span>\" ;\u00A0\u00A0\u00A0\nschema:givenName<\/a> \"Robbie<\/span>\" ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Robbie Ryan<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/10084155236#Person\/stone_rhys<\/a>> # Rhys Stone<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Person<\/a> ;\u00A0\u00A0\u00A0\nschema:familyName<\/a> \"Stone<\/span>\" ;\u00A0\u00A0\u00A0\nschema:givenName<\/a> \"Rhys<\/span>\" ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Rhys Stone<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/10084155236#Topic\/autonomy<\/a>> # Autonomy<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Autonomy<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/10084155236#Topic\/debt<\/a>> # Debt<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Debt<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/10084155236#Topic\/home_health_aides<\/a>> # Home health aides<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Home health aides<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/10084155236#Topic\/independent_contractors<\/a>> # Independent contractors<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Independent contractors<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/10084155236#Topic\/man_woman_relationships<\/a>> # Man-woman relationships<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Man-woman relationships<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/10084155236#Topic\/working_class_families_england<\/a>> # Working class families--England<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Working class families--England<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/id.loc.gov\/vocabulary\/countries\/nyu<\/a>>\u00A0\u00A0\u00A0\u00A0a \nschema:Place<\/a> ;\u00A0\u00A0\u00A0\ndcterms:identifier<\/a> \"nyu<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n