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Sound effects : the object voice in fiction

Author: Jorge Sacido-Romero; Sylvia Mieszkowski
Publisher: Leiden, Netherlands ; Boston [Massachusetts] : Brill Rodopi, 2015. ©2015
Series: DQR studies in literature.
Edition/Format:   eBook : Document : EnglishView all editions and formats
Summary:
Sound Effects collects original articles on English and American prose fiction which analyse vocal phenomena by using the psychoanalytic concept of the object voice - introduced by J. Lacan and theorised by M. Dolar - as their interpretative tool.
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Genre/Form: Electronic books
Criticism, interpretation, etc
Additional Physical Format: Print version:
Material Type: Document, Internet resource
Document Type: Internet Resource, Computer File
All Authors / Contributors: Jorge Sacido-Romero; Sylvia Mieszkowski
ISBN: 9004304401 9789004304406
OCLC Number: 1058975338
Description: 1 online resource (359 pages)
Contents: Sound Effects: The Object Voice in Fiction; Copyright; Dedication; Contents; Acknowledgements; Preface: Is There a Voice in the Text?; 1. Revoicing Writing: An Introduction to Theorizing Vocality; 2. 'Secondary Vocality' and the Sound Defect; Section I: The Nineteenth Century; 3. The Object Voice in Romantic Irish Novels; 4. Poe, Voice and the Origin of Horror Fiction; 5. Double Voice and Extimate Singing in Trilby; Section II: The Twentieth Century; 6. Bloom's Neume: The Object Voice in the "Sirens" Episode in Joyce's Ulysses. 7. Fantasizing Agency and Otherness through Voice and Voicelessness in Ellison's Invisible Man8. The Voice in Twentieth-Century English Short Fiction: E.M. Forster, V.S. Pritchett and Muriel Spark; Section III: The Twenty-First Century; 9. Voices of Terror and Horror: Towards an Acoustics of Modern Gothic; 10. "That which cannot be said": Voice, Desire and the Uncanny in Armistead Maupin's The Night Listener; 11. "It's only combinations of letters, after all, isn't it": The "Voice" and Spirit Mediums in ThomasPynchon's Against the Day (2006) 12. 'Voice-Trace' in James Chapman's How Is This Going to Continue? (2007)Notes on Contributors; Index.
Series Title: DQR studies in literature.
Responsibility: edited by Jorge Sacido-Romero, Sylvia Mieszkowski.

Abstract:

Sound Effects collects original articles on English and American prose fiction which analyse vocal phenomena by using the psychoanalytic concept of the object voice - introduced by J. Lacan and theorised by M. Dolar - as their interpretative tool.

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