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Sounding composition : multimodal pedagogies for embodied listening

Author: Steph Ceraso
Publisher: Pittsburgh, Pa. : University of Pittsburgh Press, [2018]
Series: Pittsburgh series in composition, literacy, and culture.
Edition/Format:   eBook : Document : EnglishView all editions and formats
Summary:
In Sounding Composition Steph Ceraso reimagines listening education to account for twenty-first-century sonic practices and experiences. Sonic technologies such as audio editing platforms and music software allow students to control sound in ways that were not always possible for the average listener. While digital technologies have presented new opportunities for teaching listening in relation to composing, they  Read more...
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Genre/Form: Electronic books
Additional Physical Format: Print version:
(OCoLC)1016010058
Material Type: Document, Internet resource
Document Type: Internet Resource, Computer File
All Authors / Contributors: Steph Ceraso
ISBN: 9780822983446 0822983443
OCLC Number: 1049291786
Description: 1 online resource
Contents: Introduction : toward expansive listening and sonic composing practices --
Sounding out rhetoric and composition and sound studies : resonances, perturbations, provocations --
Sounding bodies, composing experience : (re)educating the senses --
Reverberation : my listening body --
Sounding space, designing experience : the ecological practice of sonic composition --
Reverberation : mapping sound --
Sounding cars, selling experience : sound design in consumer products --
Reverberation : sonic objects --
Conclusion : multimodal listening pedagogy and the future of sonic education.
Series Title: Pittsburgh series in composition, literacy, and culture.
Responsibility: Steph Ceraso.

Abstract:

In Sounding Composition Steph Ceraso reimagines listening education to account for twenty-first-century sonic practices and experiences. Sonic technologies such as audio editing platforms and music software allow students to control sound in ways that were not always possible for the average listener. While digital technologies have presented new opportunities for teaching listening in relation to composing, they also have resulted in a limited understanding of how sound works in the world at large. Ceraso offers an expansive approach to sonic pedagogy through the concept of multimodal listening--a practice that involves developing an awareness of how sound shapes and is shaped by different contexts, material objects, and bodily, multisensory experiences. Through a mix of case studies and pedagogical materials, she demonstrates how multimodal listening enables students to become more savvy consumers and producers of sound in relation to composing digital media, and in their everyday lives.

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Sounding Composition demonstrates that sound surrounds us, but the book also, perhaps more importantly, equips us with techniques for cultivating sensibilities for listening, producing, teaching, Read more...

 
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