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Space and subjectivity in contemporary Brazilian cinema

Author: Antônio Márcio da Silva; Mariana Cunha
Publisher: Cham, Switzerland : Palgrave Macmillan, [2017] ©2017
Series: Screening spaces.
Edition/Format:   eBook : Document : EnglishView all editions and formats
Summary:
This collection explores the emergence of new spatialities and subjectivities in Brazilian films produced from the 1990s onwards, a period that became known as the retomada, but especially in the cinema of the new millennium. The chapters take spatiality as a powerful tool that can reveal aesthetic, political, social, and historical meanings of the cinematographic image instead of considering space as just a formal  Read more...
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Genre/Form: Electronic books
Additional Physical Format: Print version:
Space and subjectivity in contemporary Brazilian cinema.
Cham, Switzerland : Palgrave Macmillan, [2017]
(OCoLC)959033724
Material Type: Document, Internet resource
Document Type: Internet Resource, Computer File
All Authors / Contributors: Antônio Márcio da Silva; Mariana Cunha
ISBN: 9783319482675 331948267X
OCLC Number: 1004530673
Description: 1 online resource (xi, 244 pages) : illustrations (chiefly color
Contents: Chapter 1: Introduction --
Chapter 2: Tikmũ'ũn's Caterpillar-Cinema: Off-screen Space and Cosmopolitics in Amerindian Films --
Chapter 3: The Reterritorializations of Urban Space in Brazilian Cinema --
Chapter 4: Mapping from the Margins: The Films of Beto Brant --
Chapter 5: Bodies in Landscape: The Scientist's Presence in Viajo porque preciso, volto porque te amo and Ventos de agosto --
Chapter 6: Intensive Spatium and the Construction of Child Subjectivities in Brazilian Cinema --
Chapter 7: Insolação: Subjective Perception of an Urban Utopia through the Lens of Love and Loss --
Chapter 8: Astral Cities, New Selves: Utopian Subjectivities in Nosso Lar and Branco sai, preto fica --
Chapter 9: Underneath the Surface, Embodied on Screen: Memory and Social Conflict in São Paulo's Cityscape --
Chapter 10: The Space of Queer Masculinities in Karim Aïnouz's Praia do Futuro --
Chapter 11: Water and Queer Intimacy --
Chapter 12: 'Casa grande & senzala': Domestic Space and Class Conflict in Casa grande and Que horas ela volta? --
Chapter 13: O som ao redor: Aural Space, Surveillance, and Class Struggle.
Series Title: Screening spaces.
Responsibility: Antônio Márcio da Silva, Mariana Cunha, editors.

Abstract:

This collection explores the emergence of new spatialities and subjectivities in Brazilian films produced from the 1990s onwards, a period that became known as the retomada, but especially in the  Read more...

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