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Stage performance for singers : a practical course in 12 basic steps

Author: Martin Karnolsky
Publisher: Singapore : Pan Stanford Publishing, [2018] ©2018
Edition/Format:   eBook : Document : EnglishView all editions and formats
Summary:
There are about ten books in the world on stage performance training. Most of them are in English, but there are a few in Spanish. Thereare none in Russian, although the father of modern theater, Konstantin Stanislavski, was born in Russia. In singing, regardless of genre and style, the element of stage performance is missing. There is no normal training for communicating with the audience. It is accepted by most  Read more...
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Genre/Form: Electronic books
Studies and exercises
Additional Physical Format: (OCoLC)1043589934
Material Type: Document, Internet resource
Document Type: Internet Resource, Computer File
All Authors / Contributors: Martin Karnolsky
ISBN: 9780429428692 0429428693 9780429767753 0429767757
OCLC Number: 1076543434
Description: 1 online resource.
Contents: Cover; Half Title; Title; Copyright; Dedication; Contents; Introduction; Chapter 1. Preparation and Beginning of Performance; Chapter 2. Stage Space Split; Chapter 3. Body Position and Communication with the Audience; Chapter 4. Using the Microphone; Chapter 5. Gestures; Chapter 6. The Look; Chapter 7. The Phrase in the Gesture and the Look; Chapter 8. Working with Lyrics; Chapter 9. Artistry in the Voice; Chapter 10. The Costume; Chapter 11. Makeup and Hairstyle; Chapter 12. The Bow and Leaving the Stage; Exercises; Conclusion; Bibliography; Index
Responsibility: Martin Karnolsky.

Abstract:

There are about ten books in the world on stage performance training. Most of them are in English, but there are a few in Spanish. Thereare none in Russian, although the father of modern theater, Konstantin Stanislavski, was born in Russia. In singing, regardless of genre and style, the element of stage performance is missing. There is no normal training for communicating with the audience. It is accepted by most vocal pedagogues that it is enough to sing the notes correctly, but there is much more to do. For singers who study opera and operetta, it is essential to stretch the limits of performance, and that is why they also study acting. For everyone else, this is not necessary, because they have other tasks on stage. They must learn to self-regulate, not to wait for directional instructions. This book is valuable in that it teaches singers to direct their own stage performance. Representing the author’s conclusions based on careful analysis of a number of successful and unsuccessful stage performances of numerous singers of different stature, it gives them the basic knowledge and guidance on how to approach and develop their show from one song to one concert. It teaches singers how to be more successful on stage, how to be more charismatic and how to manage their audience the way they want.

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