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Stravinsky Inside Out

Publisher: New Haven, CT : Yale University Press, [2008] ©2008
Edition/Format:   eBook : Document : Government publication : EnglishView all editions and formats
Summary:
Popularly known during his lifetime as "The World's Greatest Living Composer," Igor Stravinsky (1882-1971) not only wrote some of the twentieth century's most influential music, he also assumed the role of cultural icon. This book reveals Stravinsky's two sides-the public persona, preoccupied with his own image and place in history, and the private composer, whose views and beliefs were often purposely suppressed.  Read more...
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Details

Genre/Form: Electronic books
Biographies
Biography
Named Person: Igor Stravinsky; Igor Stravinsky
Material Type: Document, Government publication, Internet resource
Document Type: Internet Resource, Computer File
ISBN: 9780300129366 030012936X
OCLC Number: 1024022437
Language Note: In English.
Description: 1 online resource : 32 b/w illus.
Contents: Frontmatter --
Contents --
Preface --
Acknowledgments --
A Note on Sources --
CHAPTER 1. Truths and Illusions: Rethinking What We Know --
CHAPTER 2. Rediscovering the American Apollon Musagète: Stravinsky, Coolidge, and the Forgotten Washington Connection --
CHAPTER 3. Fathers and Sons: Remembering Sviatoslav Soulima --
CHAPTER 4. The Would-Be Hollywood Composer: Stravinsky, the Literati, and "the Dream Factory" --
CHAPTER 5. Television and The Flood: Anatomy of an "Inglorious Flop" --
CHAPTER 6. Film Documentaries: The Composer On and Off Camera --
CHAPTER 7. Letters, Books, Private Thoughts: Reading Between the Lines --
CHAPTER 8. Boswellizing an Icon: Stravinsky, Craft, and the Historian's Dilemma --
Epilogue --
Notes --
Index
Responsibility: Charles M. Joseph.
More information:

Abstract:

Popularly known during his lifetime as "The World's Greatest Living Composer," Igor Stravinsky (1882-1971) not only wrote some of the twentieth century's most influential music, he also assumed the role of cultural icon. This book reveals Stravinsky's two sides-the public persona, preoccupied with his own image and place in history, and the private composer, whose views and beliefs were often purposely suppressed. Charles M. Joseph draws a richer and more human portrait of Stravinsky than anyone has done before, using an array of unpublished materials and unreleased film trims from the composer's huge archive at the Paul Sacher Institute in Switzerland.Focusing on Stravinsky's place in the culture of the twentieth century, Joseph situates the composer among the giants of his age. He discusses Stravinsky's first American commission, his complicated relationship with his son, his professional relationships with celebrities ranging from T. S. Eliot to Orson Welles, his flirtations with Hollywood and television, and his love-hate attitude toward the critics and the media. In a close look at Stravinsky's efforts to mold a public image, Joseph explores the complex dance between the composer and his artistic collaborator, Robert Craft, who orchestrated controversial efforts to protect Stravinsky and edit materials about him, both during the composer's lifetime and after his death.

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