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Symphony no. 5

Author: Gustav Mahler; Osmo Vänskä; Minnesota Orchestra,
Publisher: Åkersberga : BIS, [2017] ℗2017
Edition/Format:   Music CD : CD audio : No Linguistic ContentView all editions and formats
Summary:
Composed in 1902, this purely instrumental work followed upon three symphonies that had all included vocal parts. This and the opening trumpet motif, an allusion to the rhythm that begins Beethoven's Fifth have been interpreted as Mahler's return to a more conventional idea of the symphonic genre.
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Details

Genre/Form: Symphonies
Compact discs
Material Type: Music, Internet resource
Document Type: Sound Recording, Internet Resource
All Authors / Contributors: Gustav Mahler; Osmo Vänskä; Minnesota Orchestra,
OCLC Number: 1001346460
Notes: Title from disc label.
Program notes in English by Jeremy Barham with German and French translations (27 pages : portrait) inserted in container.
Credits: Recording producer, Robert Suff.
Performer(s): Minnesota Orchestra ; Osmo Vänskä, conductor.
Event notes: Recorded
2016 June
Orchestra Hall, Minneapolis, USA.
Awards: Grammy nominee, 2018.
Description: 1 audio disc (1 hr., 15 min., 30 sec.) : digital, CD audio, SACD, stereo, surround ; 4 3/4 in.
Details: Hybrid Super Audio CD (SACD): CD audio-encoded stereo playable on regular CD player; requires SACD player and playback equipment with analog inputs for DSD (Direct Stream Digital) stereo or 5.0 multichannel surround sound to audition SACD-encoded layers.
Contents: Symphony no. 5 in C sharp minor (1901-1902) : Trauermarsch (13:04) --
Stürmisch bewegt (15:31) --
Scherzo (17:39) --
Adagietto (12:36) --
Rondo-finale (15:27).
Medium of Performance: orchestra
Numeric Designation of Musical Works: no. 5
Key: C♯ minor
Other Titles: Symphonies,
Responsibility: Gustav Mahler.

Abstract:

Composed in 1902, this purely instrumental work followed upon three symphonies that had all included vocal parts. This and the opening trumpet motif, an allusion to the rhythm that begins Beethoven's Fifth have been interpreted as Mahler's return to a more conventional idea of the symphonic genre.

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