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A symposium on image manipulation : matching the new technology to video and film production

Author: Mel FerberRon GaviatiPeter William AndersonEmory CohenRalph GuggenheimAll authors
Publisher: Los Angeles, Calif. : University of Southern California School of Cinema Television, ©1986.
Edition/Format:   VHS video : VHS tape   Visual material : English
Summary:
Taped proceedings of a symposium on image manipulating special effects for film and video production featuring lectures and examples provided by industry experts and technicians.
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Genre/Form: Lectures
Educational films
Industrial films
Nonfiction films
Material Type: Videorecording
Document Type: Visual material
All Authors / Contributors: Mel Ferber; Ron Gaviati; Peter William Anderson; Emory Cohen; Ralph Guggenheim; Art Kellner; Richard Patterson; David Rabinowitz; Gregory Van der Veer; Mark West; Don McCorskey; Arthur Schneider; Toni Roth; John Mason; Society of Motion Picture and Television Engineers.; University of Southern California. School of Cinema-Television.
OCLC Number: 18800103
Notes: Title spoken at beginning of program.
"SMPTE Spring 1986 Seminar: Image Manipulation"--Cassette label.
Originally recorded for teleconference on Aug. 16, 1986.
Credits: Editor, Art Schneider ; original score, Frederick Lesemann.
Performer(s): Speakers, Peter Anderson, Emory Cohen, Ralph Guggenheim, Art Kellner, Richard Patterson, David Rabinowitz, Gregory Van Der Veer, Mark West ; Moderators, Don McCroskey, Art Schneider, Toni Roth, John Mason.
Description: 3 videocassettes (349 min.) : sound, color ; 1/2 in.
Details: VHS.
Contents: pt. 1. Introductory remarks (ca. 12 min) Peter Anderson, Universal Studios-Hartland and the Disney Studios, discusses image compositing on film. Examples from Buck Rogers in the Twenty-First Century and the General Electric Horizon Pavilion at Disneyland. (ca. 45 min) Richard Patterson, Ultimatte Corporation, examines production techniques necessary to insure good composite images using the Ultimatte system. (ca. 37 min) Gregory Van der Veer, Illusion Video Effects, explains various processes and the physical capacities of optical printing. --
pt. 2. Art Kellner, Cause & EFX, examines various video switching devices and digital video effects devices. (ca. 30 min) Ralph Guggenheim, Lucasfilms and Pixar, explores computer animated effects on film and video using a high speed, high resolution image computer to produce three-dimensional imaging. Examples include The Adventures of Andre and Wally B. and Young Sherlock Holmes. (ca. 35 min) David Rabinowitz, N.B.C., relates the history of computer assisted/generated television images using examples from NBC's election night coverage through the years. (ca. 35 min.) --
pt. 3. Mark West, Complete Post, examines the use of "state of the art" computer assisted digital video manipulation as used in musical and variety television specials. Examples include Shirley MacLaine: Illusion and Linda Carter: Body and Soul. (37 min) Emory Cohen, Pacific Video, traces the similarities and differences of post production processing in film and video. (63 min) Closing statements and credits. (10 min).
Other Titles: Matching new technology to video and film production
Image manipulation
Responsibility: SMPTE and University of Southern California School of Cinema Television ; directors, Mel Ferber, Ron Gaviati.

Abstract:

Taped proceedings of a symposium on image manipulating special effects for film and video production featuring lectures and examples provided by industry experts and technicians.

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