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Tele-Improvisation

Author: Roger Mills
Publisher: Cham : Springer, 2019.
Series: Springer Series on Cultural Computing Ser.
Edition/Format:   eBook : Document : English
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Genre/Form: Electronic books
Additional Physical Format: Print version:
Mills, Roger.
Tele-Improvisation: Intercultural Interaction in the Online Global Music Jam Session.
Cham : Springer, ©2019
Material Type: Document, Internet resource
Document Type: Internet Resource, Computer File
All Authors / Contributors: Roger Mills
ISBN: 9783319710396 3319710397
OCLC Number: 1082246020
Notes: 6.3 Perception, Consciousness and Imagination
Description: 1 online resource (227 pages)
Contents: Intro; Foreword; Preface; Acknowledgements; Contents; About the Author; List of Figures; List of Tables; Part I; 1 Intercultural Tele-Improvisation: Inside the Online Global Jam Session; 1.1 Introduction; 1.2 Networked Music Performance; 1.3 Embodied Sound: Communicating Over Distance; 1.4 Metaphor, Music and Bodily Experience; 1.4.1 Metaphor and Causation in Tele-Improvisatory Interaction; 1.4.2 Metaphor and Culture in Tele-Improvisatory Interaction; 1.5 Content, Scope and Structure of This Book; References; 2 Telematics, Art and the Evolution of Networked Music Performance 2.1 Tele-Communication Networks and Distributed Sound and Vision2.2 Telematics and Art; 2.3 World Wide Web and Client Server Projects; 2.4 Origins of Networked Music Performance; 2.5 Websites as Multi-User Sonic Environments; 2.6 Peer to Peer Computing, High-Speed Networks, Technologies and Practices; 2.7 DSL Networks, Technologies and Practices; 2.8 Summary; References; 3 Intercultural Tele-Improvisation: Multi-idiomatic Approaches; 3.1 Improvisation; 3.2 Free Improvisation; 3.3 Improvisatory Collaborative Interaction; 3.4 Cultures of Improvisation; 3.5 Significance in Cultures of Sound 3.5.1 Culture and Significance: Timbre and Performance Techniques of the Persian Ney, Kurdish Tanbur and Mongolian Moorin Khuur3.6 Intercultural Tele-Improvisation: Challenges and Approaches; 3.6.1 Non-idiomatic Versus Multi-idiomatic Approaches; 3.7 Definitions of Intercultural and Cross-Culturality in Tele-Improvisation; 3.8 Distributed Authorship and Attribution; 3.9 Summary; References; Part II; 4 Intercultural Tele-Improvisatory Performance in Action; 4.1 Methodological Approach: DIAF (Distributed Interaction Analytical Framework); 4.2 Theoretical Paradigm 4.3 Identifying and Coding Tele-Improvisatory Interaction4.4 Performance Case Studies; 4.5 Selection Criteria for Musicians and Instruments; 4.6 Case Study Performances: Analysis and Findings; 4.6.1 Intentionality and Causation; 4.6.2 The Role of Culture; 4.6.3 Approaches and Strategies; 4.7 Summary; References; 5 Towards a Theory of Tele-Improvisatory Collaboration; 5.1 Practitioner Theories of Networked Music and Sound; 5.2 Collaborative Structures and Practices; 5.3 Tele-Improvisatory Experience: Representation, Observation, and Culture 5.4 A Typology of Intercultural Tele-Improvisatory Experience5.5 Interactive Categories and Related Experiences; 5.5.1 Expression and Tele-Aesthesic; 5.5.2 Interpretation and Tele-Sensus; 5.5.3 Response and Tele-Intellection; 5.6 Tele-Improvisatory Experience: Emotion, Creativity and Cognition; 5.7 Ritual and Intercultural Tele-Improvisatory Engagement; 5.8 Summary; References; Part III; 6 Liminal Worlds: Presence and Performer Agency in Tele-Collaborative Interaction; 6.1 Presence and Agency in Tele-Improvisation; 6.2 Theories of Listening; 6.2.1 Cross-Cultural Listening
Series Title: Springer Series on Cultural Computing Ser.

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