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The temporal structure of Estonian runic songs

Author: Jaan Ross; Ilse Lehiste
Publisher: Berlin ; New York : Mouton de Gruyter, 2001.
Series: Phonology and phonetics, 1.
Edition/Format:   eBook : Document : EnglishView all editions and formats
Summary:

The Kalevala, or runic, songs is a tradition at least a few thousand years old. This book offers a combined perspective of a musicologist and a linguist to the structure of the runic songs. Archival  Read more...

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Genre/Form: Electronic books
Criticism, interpretation, etc
Additional Physical Format: Print version:
(DLC) 2001054383
Material Type: Document, Internet resource
Document Type: Internet Resource, Computer File
All Authors / Contributors: Jaan Ross; Ilse Lehiste
ISBN: 3110885999 9783110885996 3110170329 9783110170320
OCLC Number: 913087877
Description: 1 online resource (ix, 205 pages) : illustrations, map.
Contents: Preface; Contents; Chapter 1 Introduction; Chapter 2 Estonian old folksongs: history, tradition, collections and availability; 1. Recent historical background; 2. Distribution of runic songs in time and space; 3. Cultural-historical and territorial division of Estonia; 4. The textual component in runic songs; 5. A musical characterization of runic songs; 6. Some peculiarities in the geographical distribution of Estonian folksongs; 7. Classification of runic songs; 8. The earliest printed references to runic songs; 9. Collections and publications of Estonian runic melodies; 10. Summary. Chapter 3 Estonian prosody1. Introduction; 2. Segmental quantity; 3. Syllabic quantity and the quantity of prosodic feet; 3.1. Monosyllabic words; 3.2. Q1 prosodic foot; 3.3. Q2 prosodic foot; 3.4. Q3 prosodic foot; 4. Overlength; 5. The structure of polysyllabic words and phonological phrases; 5.1. Trisyllabic feet; 5.2. Phonological phrases; 6. Summary; Chapter 4 The metrical structure of Estonian folksongs; 1. Trochaic tetrametre and the quantity rules; 2. Validity of the quantity rules; Chapter 5 Estonian folksong as musical performance. 1. General aspects of research on musical performance2. Segmentation of runic song performance; 3. Prescriptive and descriptive notation; 4. Deviations of performed events from their regular values: is this approach applicable in the runic songs?; 5. Friberg's generative performance rules for timing and their relevance for the runic songs; 6. Modelling of syllable durations in the runic songs; 7. Covariance analysis; 8. Summary; Chapter 6 Realization of the prosodic structure of Estonian in sung folksongs; 1. Introduction; 2. Material and methods; 3. Encoding of metre with temporal means. 4. Changes in the temporal realization of word-initial disyllables5. Differences between regular lines and broken lines; 6. Differences between quantity oppositions manifested by vowels and consonants; 7. Summary; Chapter 7 Realization of prosodic structure inrecitation and laments; 1. Introduction; 2. Materials and method; 3. Duration of metric feet; 4. Intervocalic consonants; 5. Summary of results; 6. Trochaic verse in contemporary Estonian and Finnish poetry; 7. Between speech and song; Chapter 8 Conclusions; Appendix Notations of Estonian folksongs and laments; Notes; References; Index.
Series Title: Phonology and phonetics, 1.
Responsibility: by Jaan Ross, Ilse Lehiste.

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