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Theory and practice in the conservation of modern and contemporary art : reflections on the roots and the perspectives : Proceedings of the International Symposium held 13-14 January 2009 at the University of Applied Sciences and Arts, Faculty Preservation of Cultural Heritage, Hildesheim Preview this item
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Theory and practice in the conservation of modern and contemporary art : reflections on the roots and the perspectives : Proceedings of the International Symposium held 13-14 January 2009 at the University of Applied Sciences and Arts, Faculty Preservation of Cultural Heritage, Hildesheim

Author: Ursula Schädler-Saub; Angela Weyer; Hornemann Institut.
Publisher: London : Archetype, 2010.
Series: Schriften des Hornemann Instituts, Bd. 12.
Edition/Format:   Print book : Conference publication : EnglishView all editions and formats
Summary:
"The papers in this volume ... confront the theoretical foundation and the ethical and aesthetical principles of the conservation of modern and contemporary art, testing the limits and possibilities of the development of established positions and seeking new challenges. The authors tackle the crucial question-- whether there should be specific theoretical, ethical and aesthetical guidelines for the conservation and  Read more...
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Genre/Form: Conference papers and proceedings
Congresses (form)
Congresses
congrès
Additional Physical Format: Online version:
Theory and practice in the conservation of modern and contemporary art.
London : Archetype, 2010
(OCoLC)742316742
Material Type: Conference publication
Document Type: Book
All Authors / Contributors: Ursula Schädler-Saub; Angela Weyer; Hornemann Institut.
ISBN: 9781904982548 1904982549
OCLC Number: 540182488
Language Note: Text in English; Appendixes of interviews in German.
Notes: Selected conference papers.
Description: ix, 221 pages : illustrations (some color) ; 29 cm.
Contents: The artwork that became a symbol of itself: reflections on the conservation of modern art / Salvador Muñoz Viñas --
Media art and the limits of established ethics of restoration / Cornelia Weyer --
A new conceptual framework for the preservation of the heritage of modern and contemporary art / Iwona Szmelter --
Alois Riegl's Denkmalswerte: a decision chart model for modern and contemporary art conservation? / Michael von der Goltz --
Conservation of modern and contemporary art: what remains of Cesare Brandi's Teoria del restauro? / Ursula Schädler-Saub --
Conserving modern and contemporary art: reflections on the theory and practice in Italy / Francesca Valentini --
Reflections on the fate of modern murals: values that influence treatment-treatments that influence values / Isabelle Brajer --
Theory and practice of the preservation of modern and contemporary art: complex tangible and intangible heritage / Iwona Szmelter --
Some thoughts on the changing presentation and preservation of modern and postmodern art / Andreas Kühne and Lisa Kirch --
From wall paintings to ephemeral installations: the Munich artist groups SPUR, Geflecht and Kollektiv Herzogstrasse / Ursula Schädler-Saub --
Appendix 1: Selection of interviews with artists --
Appendix 2: Selection of interviews with art collectors, gallery owners and art critics.
Series Title: Schriften des Hornemann Instituts, Bd. 12.
Other Titles: Proceedings of the International Symposium held 13-14 January 2009 at the University of Applied Sciences and Arts
Responsibility: edited by Ursula Schädler-Saub and Angela Weyer.

Abstract:

"The papers in this volume ... confront the theoretical foundation and the ethical and aesthetical principles of the conservation of modern and contemporary art, testing the limits and possibilities of the development of established positions and seeking new challenges. The authors tackle the crucial question-- whether there should be specific theoretical, ethical and aesthetical guidelines for the conservation and restoration of modern and contemporary art-- by starting from important historical theories and seeing how these might be adapted to meet the demands of contemporary society in dealing with modern artworks and all the multiform cultural manifestations of today"--Page 4 of cover.

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<http:\/\/www.worldcat.org\/oclc\/540182488<\/a>> # Theory and practice in the conservation of modern and contemporary art : reflections on the roots and the perspectives : Proceedings of the International Symposium held 13-14 January 2009 at the University of Applied Sciences and Arts, Faculty Preservation of Cultural Heritage, Hildesheim<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Book<\/a>, schema:CreativeWork<\/a> ;\u00A0\u00A0\u00A0\nlibrary:oclcnum<\/a> \"540182488<\/span>\" ;\u00A0\u00A0\u00A0\nlibrary:placeOfPublication<\/a> <http:\/\/id.loc.gov\/vocabulary\/countries\/enk<\/a>> ;\u00A0\u00A0\u00A0\nlibrary:placeOfPublication<\/a> <http:\/\/dbpedia.org\/resource\/London<\/a>> ; # London<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/796594272#Topic\/art_conservation_art_20e_s_21e_s_debut<\/a>> ; # art--conservation (art)--20e s.--21e s. (d\u00E9but)<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/796594272#Event\/1900_2000<\/a>> ; # 1900-2000.<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/796594272#Topic\/20_15_conservation_restauration_and_forgery_of_works_af_art<\/a>> ; # 20.15 conservation, restauration and forgery of works af art<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/796594272#Topic\/restoration<\/a>> ; # Restoration<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/dewey.info\/class\/709.040028\/e22\/<\/a>> ;\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/796594272#Event\/1900_2099<\/a>> ; # 1900-2099<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/796594272#Topic\/art_restauration_remise_en_etat_20e_s_21e_s_debut<\/a>> ; # art--restauration (remise en \u00E9tat)--20e s.--21e s. (d\u00E9but)<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/id.loc.gov\/authorities\/classification\/N8554<\/a>> ;\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/796594272#Topic\/art_modern_20th_century_conservation_and_restoration<\/a>> ; # Art, Modern--20th century--Conservation and restoration<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/796594272#Event\/2000_2010<\/a>> ; # 2000-2010.<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/796594272#Topic\/visual_arts<\/a>> ; # Visual arts<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/796594272#Topic\/conservation<\/a>> ; # Conservation<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/796594272#Topic\/art_modern_conservation_and_restoration<\/a>> ; # Art, Modern--Conservation and restoration<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/796594272#Topic\/art_modern_21st_century_conservation_and_restoration<\/a>> ; # Art, Modern--21st century--Conservation and restoration<\/span>\n\u00A0\u00A0\u00A0\nschema:alternateName<\/a> \"Proceedings of the International Symposium held 13-14 January 2009 at the University of Applied Sciences and Arts<\/span>\" ;\u00A0\u00A0\u00A0\nschema:bookFormat<\/a> bgn:PrintBook<\/a> ;\u00A0\u00A0\u00A0\nschema:contributor<\/a> <http:\/\/viaf.org\/viaf\/30417591<\/a>> ; # Ursula Sch\u00E4dler-Saub<\/span>\n\u00A0\u00A0\u00A0\nschema:contributor<\/a> <http:\/\/viaf.org\/viaf\/43807780<\/a>> ; # Angela Weyer<\/span>\n\u00A0\u00A0\u00A0\nschema:contributor<\/a> <http:\/\/viaf.org\/viaf\/147941075<\/a>> ; # Hornemann Institut.<\/span>\n\u00A0\u00A0\u00A0\nschema:datePublished<\/a> \"2010<\/span>\" ;\u00A0\u00A0\u00A0\nschema:description<\/a> \"\"The papers in this volume ... confront the theoretical foundation and the ethical and aesthetical principles of the conservation of modern and contemporary art, testing the limits and possibilities of the development of established positions and seeking new challenges. The authors tackle the crucial question-- whether there should be specific theoretical, ethical and aesthetical guidelines for the conservation and restoration of modern and contemporary art-- by starting from important historical theories and seeing how these might be adapted to meet the demands of contemporary society in dealing with modern artworks and all the multiform cultural manifestations of today\"--Page 4 of cover.<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\nschema:description<\/a> \"The artwork that became a symbol of itself: reflections on the conservation of modern art \/ Salvador Mu\u00F1oz Vi\u00F1as -- Media art and the limits of established ethics of restoration \/ Cornelia Weyer -- A new conceptual framework for the preservation of the heritage of modern and contemporary art \/ Iwona Szmelter -- Alois Riegl\'s Denkmalswerte: a decision chart model for modern and contemporary art conservation? \/ Michael von der Goltz -- Conservation of modern and contemporary art: what remains of Cesare Brandi\'s Teoria del restauro? \/ Ursula Sch\u00E4dler-Saub -- Conserving modern and contemporary art: reflections on the theory and practice in Italy \/ Francesca Valentini -- Reflections on the fate of modern murals: values that influence treatment-treatments that influence values \/ Isabelle Brajer -- Theory and practice of the preservation of modern and contemporary art: complex tangible and intangible heritage \/ Iwona Szmelter -- Some thoughts on the changing presentation and preservation of modern and postmodern art \/ Andreas K\u00FChne and Lisa Kirch -- From wall paintings to ephemeral installations: the Munich artist groups SPUR, Geflecht and Kollektiv Herzogstrasse \/ Ursula Sch\u00E4dler-Saub -- Appendix 1: Selection of interviews with artists -- Appendix 2: Selection of interviews with art collectors, gallery owners and art critics.<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\nschema:exampleOfWork<\/a> <http:\/\/worldcat.org\/entity\/work\/id\/796594272<\/a>> ;\u00A0\u00A0\u00A0\nschema:genre<\/a> \"Congresses (form)<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\nschema:genre<\/a> \"Conference papers and proceedings<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\nschema:genre<\/a> \"Conference publication<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\nschema:inLanguage<\/a> \"en<\/span>\" ;\u00A0\u00A0\u00A0\nschema:isPartOf<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/796594272#Series\/schriften_des_hornemann_instituts<\/a>> ; # Schriften des Hornemann Instituts ;<\/span>\n\u00A0\u00A0\u00A0\nschema:isPartOf<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/796594272#Series\/series_of_publications_by_the_hornemann_institute<\/a>> ; # Series of publications by the Hornemann Institute ;<\/span>\n\u00A0\u00A0\u00A0\nschema:isSimilarTo<\/a> <http:\/\/www.worldcat.org\/oclc\/742316742<\/a>> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Theory and practice in the conservation of modern and contemporary art : reflections on the roots and the perspectives : Proceedings of the International Symposium held 13-14 January 2009 at the University of Applied Sciences and Arts, Faculty Preservation of Cultural Heritage, Hildesheim<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\nschema:productID<\/a> \"540182488<\/span>\" ;\u00A0\u00A0\u00A0\nschema:publication<\/a> <http:\/\/www.worldcat.org\/title\/-\/oclc\/540182488#PublicationEvent\/london_archetype_2010<\/a>> ;\u00A0\u00A0\u00A0\nschema:publisher<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/796594272#Agent\/archetype<\/a>> ; # Archetype<\/span>\n\u00A0\u00A0\u00A0\nschema:workExample<\/a> <http:\/\/worldcat.org\/isbn\/9781904982548<\/a>> ;\u00A0\u00A0\u00A0\numbel:isLike<\/a> <http:\/\/bnb.data.bl.uk\/id\/resource\/GBB034252<\/a>> ;\u00A0\u00A0\u00A0\nwdrs:describedby<\/a> <http:\/\/www.worldcat.org\/title\/-\/oclc\/540182488<\/a>> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n\n

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<http:\/\/experiment.worldcat.org\/entity\/work\/data\/796594272#Agent\/archetype<\/a>> # Archetype<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nbgn:Agent<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Archetype<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/796594272#Event\/1900_2000<\/a>> # 1900-2000.<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Event<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"1900-2000.<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/796594272#Event\/1900_2099<\/a>> # 1900-2099<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Event<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"1900-2099<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/796594272#Event\/2000_2010<\/a>> # 2000-2010.<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Event<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"2000-2010.<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/796594272#Series\/schriften_des_hornemann_instituts<\/a>> # Schriften des Hornemann Instituts ;<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nbgn:PublicationSeries<\/a> ;\u00A0\u00A0\u00A0\nschema:hasPart<\/a> <http:\/\/www.worldcat.org\/oclc\/540182488<\/a>> ; # Theory and practice in the conservation of modern and contemporary art : reflections on the roots and the perspectives : Proceedings of the International Symposium held 13-14 January 2009 at the University of Applied Sciences and Arts, Faculty Preservation of Cultural Heritage, Hildesheim<\/span>\n\u00A0\u00A0\u00A0\nschema:name<\/a> \"Schriften des Hornemann Instituts ;<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
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<http:\/\/experiment.worldcat.org\/entity\/work\/data\/796594272#Topic\/20_15_conservation_restauration_and_forgery_of_works_af_art<\/a>> # 20.15 conservation, restauration and forgery of works af art<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"20.15 conservation, restauration and forgery of works af art<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/796594272#Topic\/art_conservation_art_20e_s_21e_s_debut<\/a>> # art--conservation (art)--20e s.--21e s. (d\u00E9but)<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"art--conservation (art)--20e s.--21e s. (d\u00E9but)<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/796594272#Topic\/art_modern_20th_century_conservation_and_restoration<\/a>> # Art, Modern--20th century--Conservation and restoration<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:hasPart<\/a> <http:\/\/id.loc.gov\/authorities\/subjects\/sh85007805<\/a>> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Art, Modern--20th century--Conservation and restoration<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/796594272#Topic\/art_modern_21st_century_conservation_and_restoration<\/a>> # Art, Modern--21st century--Conservation and restoration<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:hasPart<\/a> <http:\/\/id.loc.gov\/authorities\/subjects\/sh2002000548<\/a>> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Art, Modern--21st century--Conservation and restoration<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/796594272#Topic\/art_modern_conservation_and_restoration<\/a>> # Art, Modern--Conservation and restoration<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Art, Modern--Conservation and restoration<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/796594272#Topic\/art_restauration_remise_en_etat_20e_s_21e_s_debut<\/a>> # art--restauration (remise en \u00E9tat)--20e s.--21e s. (d\u00E9but)<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"art--restauration (remise en \u00E9tat)--20e s.--21e s. (d\u00E9but)<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/796594272#Topic\/conservation<\/a>> # Conservation<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Conservation<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/796594272#Topic\/restoration<\/a>> # Restoration<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Restoration<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/796594272#Topic\/visual_arts<\/a>> # Visual arts<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Visual arts<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/id.loc.gov\/authorities\/classification\/N8554<\/a>>\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/id.loc.gov\/vocabulary\/countries\/enk<\/a>>\u00A0\u00A0\u00A0\u00A0a \nschema:Place<\/a> ;\u00A0\u00A0\u00A0\ndcterms:identifier<\/a> \"enk<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/viaf.org\/viaf\/147941075<\/a>> # Hornemann Institut.<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Organization<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Hornemann Institut.<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/viaf.org\/viaf\/30417591<\/a>> # Ursula Sch\u00E4dler-Saub<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Person<\/a> ;\u00A0\u00A0\u00A0\nschema:familyName<\/a> \"Sch\u00E4dler-Saub<\/span>\" ;\u00A0\u00A0\u00A0\nschema:givenName<\/a> \"Ursula<\/span>\" ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Ursula Sch\u00E4dler-Saub<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/viaf.org\/viaf\/43807780<\/a>> # Angela Weyer<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Person<\/a> ;\u00A0\u00A0\u00A0\nschema:familyName<\/a> \"Weyer<\/span>\" ;\u00A0\u00A0\u00A0\nschema:givenName<\/a> \"Angela<\/span>\" ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Angela Weyer<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/worldcat.org\/isbn\/9781904982548<\/a>>\u00A0\u00A0\u00A0\u00A0a \nschema:ProductModel<\/a> ;\u00A0\u00A0\u00A0\nschema:isbn<\/a> \"1904982549<\/span>\" ;\u00A0\u00A0\u00A0\nschema:isbn<\/a> \"9781904982548<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/www.worldcat.org\/oclc\/742316742<\/a>>\u00A0\u00A0\u00A0\u00A0a \nschema:CreativeWork<\/a> ;\u00A0\u00A0\u00A0\nrdfs:label<\/a> \"Theory and practice in the conservation of modern and contemporary art.<\/span>\" ;\u00A0\u00A0\u00A0\nschema:description<\/a> \"Online version:<\/span>\" ;\u00A0\u00A0\u00A0\nschema:isSimilarTo<\/a> <http:\/\/www.worldcat.org\/oclc\/540182488<\/a>> ; # Theory and practice in the conservation of modern and contemporary art : reflections on the roots and the perspectives : Proceedings of the International Symposium held 13-14 January 2009 at the University of Applied Sciences and Arts, Faculty Preservation of Cultural Heritage, Hildesheim<\/span>\n\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/www.worldcat.org\/title\/-\/oclc\/540182488<\/a>>\u00A0\u00A0\u00A0\u00A0a \ngenont:InformationResource<\/a>, genont:ContentTypeGenericResource<\/a> ;\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/www.worldcat.org\/oclc\/540182488<\/a>> ; # Theory and practice in the conservation of modern and contemporary art : reflections on the roots and the perspectives : Proceedings of the International Symposium held 13-14 January 2009 at the University of Applied Sciences and Arts, Faculty Preservation of Cultural Heritage, Hildesheim<\/span>\n\u00A0\u00A0\u00A0\nschema:dateModified<\/a> \"2020-02-18<\/span>\" ;\u00A0\u00A0\u00A0\nvoid:inDataset<\/a> <http:\/\/purl.oclc.org\/dataset\/WorldCat<\/a>> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n