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Timbre composition in electroacoustic music

Author: Simon Emmerson
Publisher: [Place of publication not identified] : Routledge, 2019.
Series: Contemporary music review, volume 10, part 2.
Edition/Format:   eBook : Document : English : First editionView all editions and formats
Summary:
First Published in 1994. The contributions to this collection have been selected to define a range of interests from the technical, aesthetic, cognitive and compositional spheres. The book addresses the continuing need for musicologists, psychologists, composers and listeners to enter into a creative dialogue with designers and builders, who are usually programmers in the contemporary world. The collection as a  Read more...
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Genre/Form: Electronic books
Material Type: Document, Internet resource
Document Type: Internet Resource, Computer File
All Authors / Contributors: Simon Emmerson
ISBN: 9781315077376 131507737X 9781134358847 1134358849 9781134358779 1134358776 9781134358700 1134358709
OCLC Number: 1111577699
Description: 1 online resource (250 pages).
Contents: Pierre Schaeffer and the significance of radiophonic art, John Dack; defining timbre - refining timbre, Denis Smalley; the "something to hold on to factor" in timbral composition, Leigh Landy; micro-time sonic design and timbre formation, Agostino Di Scipio; sound processing in Los Dados Eternos, Rajmil Fischman
Series Title: Contemporary music review, volume 10, part 2.
Responsibility: issue editor Simon Emmerson.

Abstract:

This volume addresses the continuing need to enter into a creative dialogue with designers and builders, who are usually programmers in the contemporary world. It demonstrates the potential for  Read more...

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