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Tracking Color in Cinema and Art : Philosophy and Aesthetics.

Author: Edward Branigan
Publisher: Milton : Taylor and Francis, 2017.
Edition/Format:   eBook : Document : EnglishView all editions and formats
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Genre/Form: Electronic books
Additional Physical Format: Print version:
Branigan, Edward.
Tracking Color in Cinema and Art : Philosophy and Aesthetics.
Milton : Taylor and Francis, ©2017
Material Type: Document, Internet resource
Document Type: Internet Resource, Computer File
All Authors / Contributors: Edward Branigan
ISBN: 9781315317496 1315317494
OCLC Number: 1009274205
Notes: And, Technicolor Technology""
Description: 1 online resource (392 pages)
Contents: ""Cover""; ""Title""; ""Copyright""; ""Dedication""; ""Contents""; ""List of Figures""; ""List of Color Plates""; ""Preface""; ""Languages""; ""Color Consciousness""; ""Four Elements of Color Languages""; ""Where Color Vanishes""; ""Notes""; ""Acknowledgments""; ""1 Introduction and Overview through Two Paintings: Dagwood""; ""Process into Pattern""; ""Theory: Drawing Lines, Taking Shape""; ""Triptych: Color, Cinema, Remembered Languages""; ""Grey Gray""; ""Notes""; ""2 Living with Chromophilia""; ""Color in Mind""; ""Of Delicacy and Not (Cornwell-Clyne)"" ""Flesh-Colored: Of Tears and Diamonds (Kalmus, Updike)""""Fictions Painted in Language (Updike Redux)""; ""What Itâ#x80;#x99;s Like to See Film Color (Deleuze)""; ""Notes""; ""3 To Stand in Place or to Track?""; ""Top-Down Perception: Stand in Place or Track?""; ""Tracking through Working Memory (Blackmore)""; ""Color Splitting and Flow""; ""The Archive Dilemma""; ""Whatâ#x80;#x99;s in a Color? (Warhol)""; ""Summary: The Story So Far""; ""Notes""; ""4 Whatâ#x80;#x99;s in White?""; ""Of Whiteness; or, About White""; ""Light, White, and Film Theory""; ""Hollis Framptonâ#x80;#x99;s Whiteness (Winckelmann, Coates, Cubitt)"" ""Gilles Deleuzeâ#x80;#x99;s Whiteness/Blackness""""Theoretical Excursus (I): White as Language""; ""Notes""; ""5 Making It Color-Fullâ#x80;#x94;Relations and Practices""; ""Color Degree Zero""; ""1. Negative""; ""2. Positive""; ""3. Interregnum""; ""A Few Colors from Natural Light""; ""1. Primaries and Materials""; ""Circles of Color: Circuitous though (somewhat) Convenient""; ""1. Spectral Hues""; ""2. Non-spectral Hues""; ""Tactile Hues: Warm and Cool""; ""1. A Balmy Binary: Invisibility and Textual Analysis""; ""2. â#x80;#x9C;The Masque of the Red Deathâ#x80;#x9D;"" ""3. A Binary Undone but Endlessly Remade: The Fluid Powers of Cultural Resemblance""""The Natural Scale of Luminance Values""; ""Universal (â#x80;#x9C;Landmarkâ#x80;#x9D;) Focal Colors""; ""Prominence: How a Color Becomes a â#x80;#x9C;Key Colorâ#x80;#x9D;""; ""1. Area""; ""2. Magnets, Pinpricks, Blots, Stains, and Accents""; ""3. Other Important Factors""; ""4. Making Patterns Prominent in Aesthetic Systems""; ""Theoretical Excursus (II): Is Color Always Visual? (Wittgenstein)""; ""Notes""; ""6 Musical Hues: Color Harmonies""; ""Choirs of Color""; ""1. Low Contrast Harmonies (â#x80;#x9C;Coordinationâ#x80;#x9D;)"" ""2. High Contrast Harmonies (â#x80;#x9C;Balanceâ#x80;#x9D;)""""3. Some Possible Disharmonies (â#x80;#x9C;Conflictâ#x80;#x9D;)""; ""4. Does the Eye Search until It Creates Harmony? (Some Examples)""; ""5. What Is a Rule about Color Harmony Really: Is It a Causal Relation of Mind or World (i.e., a Subjective or Objective Fact), a Heuristic, a Convenient Description, an Arbitrary Inclination, or Simply a Myth?""; ""Color Harmonies in Film""; ""1. Gentlemen prefer Blondes; and, Passage through Time""; ""2. Picnic; and, Space""; ""3. Vertigo; and, the Rhetoric of Color Criticism""; ""4. The Wizard of Oz.

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'This is an extraordinary achievement -- a major work (perhaps Branigan's most impressive yet) by one of our most important film theorists and philosophers. While color studies in film have exploded Read more...

 
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