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A traffic of dead bodies : anatomy and embodied social identity in nineteenth-century America

Author: Michael Sappol
Publisher: Princeton, N.J. ; Woodstock : Princeton University Press, 2004. ©2002
Edition/Format:   eBook : Document : EnglishView all editions and formats
Summary:
"A Traffic of Dead Bodies enters the sphere of bodysnatching medical students, dissection-room pranks, and anatomical fantasy. It shows how nineteenth-century American physicians used anatomy to develop a vital professional identity, while claiming authority over the living and the dead. It also introduces the middle-class women and men, working people, unorthodox healers, cultural radicals, entrepreneurs, and  Read more...
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Genre/Form: History
Electronic books
Additional Physical Format: Print version:
Sappol, Michael.
Traffic of dead bodies.
Princeton, N.J. ; Woodstock : Princeton University Press, 2004
(DLC) 2001021127
(OCoLC)55005699
Material Type: Document, Internet resource
Document Type: Internet Resource, Computer File
All Authors / Contributors: Michael Sappol
ISBN: 9780691186146 0691186146
OCLC Number: 1045069528
Notes: Originally published: 2002.
Description: 1 online resource (xii, 430 pages) : illustrations.
Contents: "The Mysteries of the Dead Body": death, embodiment, and social identity --
"A Genuine Zeal": the anatomical era in American medicine --
"Anatomy is the Charm": dissection and medical identity in nineteenth-century America --
"A Traffic of Dead Bodies": the contested bioethics of anatomy in antebellum America --
"Indebted to the Dissecting Knife": alternative medicine and anatomical consensus in antebellum America --
"The House I Live In": popular anatomy and embodied social identity in antebellum America --
"The Foul Altar of a Dissecting Table": anatomy, sex, and sensationalist fiction at mid-century --
The education of Sammy Tubbs: anatomical dissection, minstrelsy, and the technology of self-making in postbellum America --
"Anatomy Out of Gear": popular anatomy at the margins in late nineteenth-century America.
Responsibility: Michael Sappol.

Abstract:

"A Traffic of Dead Bodies enters the sphere of bodysnatching medical students, dissection-room pranks, and anatomical fantasy. It shows how nineteenth-century American physicians used anatomy to develop a vital professional identity, while claiming authority over the living and the dead. It also introduces the middle-class women and men, working people, unorthodox healers, cultural radicals, entrepreneurs, and health reformers who resisted and exploited anatomy to articulate their own social identities and visions. The nineteenth century saw the rise of the American medical profession: a proliferation of practitioners, journals, organizations, sects, and schools. Anatomy lay at the heart of the medical curriculum, allowing American medicine to invest itself with the authority of European science. Anatomists crossed the boundary between life and death, cut into the body, reduced it to its parts, framed it with moral commentary, and represented it theatrically, visually, and textually. Only initiates of the dissecting room could claim the privileged healing status that came with direct knowledge of the body. But anatomy depended on confiscation of the dead--mainly the plundered bodies of African Americans, immigrants, Native Americans, and the poor. As black markets in cadavers flourished, so did a cultural obsession with anatomy, an obsession that gave rise to clashes over the legal, social, and moral status of the dead. Ministers praised or denounced anatomy from the pulpit; rioters sacked medical schools; and legislatures passed or repealed laws permitting medical schools to take the bodies of the destitute. Dissection narratives and representations of the anatomical body circulated in new places: schools, dime museums, popular lectures, minstrel shows, and sensationalist novels. Michael Sappol resurrects this world of graverobbers and anatomical healers, discerning new ligatures among race and gender relations, funerary practices, the formation of the middle-class, and medical professionalization. In the process, he offers an engrossing and surprisingly rich cultural history of nineteenth-century America."--Publisher's description.

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