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Transmedium : conceptualism 2.0 and the new object art

Author: Garrett Stewart
Publisher: Chicago ; London : The University of Chicago Press, 2017. ©2017
Edition/Format:   eBook : Document : EnglishView all editions and formats
Summary:
This book follows recent artists in a vein of second-wave of Conceptual art practice dubbed Conceptualism 2.0--in works shadowed by the digital if not directly employing it: works that negotiate a sensory space between medium specificity, in the high modernist mode, and recent claims for the "convergence" of platforms in the electronic vanishing point of global computerization. In objects and installations  Read more...
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Genre/Form: Electronic books
Additional Physical Format: Print version:
Stewart, Garrett.
Transmedium.
Chicago ; London : The University of Chicago Press, 2017
(DLC) 2017009026
(OCoLC)975470464
Material Type: Document, Internet resource
Document Type: Internet Resource, Computer File
All Authors / Contributors: Garrett Stewart
ISBN: 9780226501062 022650106X
OCLC Number: 1012609428
Description: 1 online resource (296 pages)
Contents: Overture: Coming to terms --
Prelim: Conceptualism 2.0 --
Scene one: Image frames --
Hyperreal --
Hyporealm --
Derealized --
Entr'action --
Scene two: Motion captures --
Pictureplaning --
Lightshown --
Filmedivison --
Endscapes.
Responsibility: Garrett Stewart.

Abstract:

This book follows recent artists in a vein of second-wave of Conceptual art practice dubbed Conceptualism 2.0--in works shadowed by the digital if not directly employing it: works that negotiate a sensory space between medium specificity, in the high modernist mode, and recent claims for the "convergence" of platforms in the electronic vanishing point of global computerization. In objects and installations increasingly designated as "art research," divided up here into two Scenes (one of still, one of moving, images), and regularly involving extensive paratextual explanation in catalog copy or on gallery walls, this work specifies an interface between--and operating across (trans)--separate media forms, whose intersection is materialized, and thereby analyzed, in works resistant to the leveling hegemony of the digital. These are transmedial images or structures--their object, art--that insist not on a coherent and fetishized specificity but on a dialectical specification.

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"Lithographs that look like film frames, . . . internet images amassed to look like a photograph, . . . the video of a typewriter texting, . . . monumental woodcuts of video stills--this is the Read more...

 
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