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Travailler à l'indécis. Étude littéraire et stylistique de Verlaine Preview this item
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Travailler à l'indécis. Étude littéraire et stylistique de Verlaine

Author: Solène ThomasJérôme ThélotOlivier BivortMichèle MonteSolenn Dupas PierrardAll authors
Publisher: 2018.
Dissertation: Thèse de doctorat : Langue et littérature françaises : Lyon : 2018.
Edition/Format:   Computer file : Document : Thesis/dissertation : French
Summary:
À partir de ses recueils les plus emblématiques (Poëmes saturniens, Fêtes galantes, Romances sans paroles), la critique a souvent fait de l'art poétique de Verlaine un art de la fadeur, du brouillage et de l'imprécision. Ce trait caractéristique de l'écriture est alors imputé à un système de perception défaillant, comme si le poète, en retrait du monde, ne percevait le réel qu'à travers le voile de la
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Details

Genre/Form: Thèses et écrits académiques
Named Person: Paul Verlaine
Material Type: Document, Thesis/dissertation, Internet resource
Document Type: Internet Resource, Computer File
All Authors / Contributors: Solène Thomas; Jérôme Thélot; Olivier Bivort; Michèle Monte; Solenn Dupas Pierrard; Agnès Fontvieille-Cordani; Université de Lyon (2015-....).; École doctorale Lettres, langues, linguistique, arts (Lyon).; Université Jean Moulin (Lyon).
OCLC Number: 1097666036
Notes: Titre provenant de l'écran-titre.
Description: 1 online resource
Responsibility: Solène Thomas ; sous la direction de Jérôme Thélot.

Abstract:

À partir de ses recueils les plus emblématiques (Poëmes saturniens, Fêtes galantes, Romances sans paroles), la critique a souvent fait de l'art poétique de Verlaine un art de la fadeur, du brouillage et de l'imprécision. Ce trait caractéristique de l'écriture est alors imputé à un système de perception défaillant, comme si le poète, en retrait du monde, ne percevait le réel qu'à travers le voile de la rêverie ou du souvenir. Cette thèse prend le parti opposé et propose de voir en Verlaine un être doté d'une acuité sensorielle remarquable, apte à saisir les moindres nuances du réel. L'imprécision qui émane des textes poétiques doit alors être mise au compte d'un minutieux travail de la langue. En effet les mots, suspects d'inadéquation, enclosent la singularité d'un réel infiniment riche et toujours mouvant. À charge dès lors pour le poète d'en atténuer les contours, d'en brouiller les frontières catégorielles ; l'entreprise poétique de Verlaine résulte ainsi d'un véritable travail de sape du langage commun. Du reste, cette entreprise d'atténuation se poursuit dans le corpus en prose (fictions, autobiographies, textes critiques) : Verlaine, ayant à cœur de torpiller tout ce qui pourrait ressembler à une assertion trop catégorique, multiplie les concessions, les dénégations, les hésitations. Faisant retour sur son propre dit, il donne à lire les tâtonnements d'un discours s'élaborant en suspicion du langage.

Beginning from his most emblematic collections (Poëmes saturniens, Fêtes galantes, Romances sans paroles), critics have often seen Verlaine's poetry as a drab art, scrambled and imprecise. This characteristic is then attributed to a defective sense of perception, as if the poet, disconnected from the world, could only perceive reality through a veil of dreams or of memories. This study takes the opposite view, proposing that we see in Verlaine one who is gifted with a remarkable ability to feel and perceive, seizing upon the slightest nuances present in reality. The supposed imprecision that emanates from his poetic texts must therefore be considered through a painstaking study of language. In essence, the words, long suspected of being mismatched, hold within them the singularity of a rich and supremely moving reality. The poet's mission is then to weaken the contours, to blur categorical boundaries, and Verlaine's poetic enterprise thus results in a veritable undermining of everyday language. What's more, this attempted undermining continues in his prose works (fiction, autobiographies, critical texts): invested in wrecking anything that could seem to be an overly categorical assertion, Verlaine increases the concessions, the denials, the hesitations. Returning over his own words, he demonstrates the trial-and-error of a discourse developed through a suspicion of language itself.

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Cette th\u00E8se prend le parti oppos\u00E9 et propose de voir en Verlaine un \u00EAtre dot\u00E9 d\'une acuit\u00E9 sensorielle remarquable, apte \u00E0 saisir les moindres nuances du r\u00E9el. L\'impr\u00E9cision qui \u00E9mane des textes po\u00E9tiques doit alors \u00EAtre mise au compte d\'un minutieux travail de la langue. En effet les mots, suspects d\'inad\u00E9quation, enclosent la singularit\u00E9 d\'un r\u00E9el infiniment riche et toujours mouvant. \u00C0 charge d\u00E8s lors pour le po\u00E8te d\'en att\u00E9nuer les contours, d\'en brouiller les fronti\u00E8res cat\u00E9gorielles ; l\'entreprise po\u00E9tique de Verlaine r\u00E9sulte ainsi d\'un v\u00E9ritable travail de sape du langage commun. 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<http:\/\/www.worldcat.org\/title\/-\/oclc\/1097666036<\/a>>\u00A0\u00A0\u00A0\u00A0a \ngenont:InformationResource<\/a>, genont:ContentTypeGenericResource<\/a> ;\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/www.worldcat.org\/oclc\/1097666036<\/a>> ; # Travailler \u00E0 l\'ind\u00E9cis. \u00C9tude litt\u00E9raire et stylistique de Verlaine<\/span>\n\u00A0\u00A0\u00A0\nschema:dateModified<\/a> \"2020-04-21<\/span>\" ;\u00A0\u00A0\u00A0\nvoid:inDataset<\/a> <http:\/\/purl.oclc.org\/dataset\/WorldCat<\/a>> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n\n

Content-negotiable representations<\/p>\n