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또순이 /
Ttosuni

Author: 제작, 세종 영화 주식 회사 ; 원작, 김 희창 ; 각본, 유 일수 ; 감독, 박 상호. 도 금봉, 최 남현, 박 상호, 정 애란, 이 대엽 유 일수, 김 희창. ; ; Kŭm-bong ToNam-hyŏn Ch'oeSang-ho PakAe-ran ChŏngAll authors
Publisher: [Seoul] : Korean Film Archive, 2015.
Series: Modernization on screen : understanding Korean society and modernization through films.
Edition/Format:   DVD video : NTSC color broadcast system : KoreanView all editions and formats
Summary:
Tosuni: "Tosuni, the second daughter of the boss of a transportation company, is a self-determined girl like her father who defected from Hamgyeong Province, North Korea after the liberation in 1945. One day, Jae-gu comes ask her father for a job only to be rejected, and Tosuni loans him some money out of pity. Heavily scolded by her father, she declares independence and leaves her home. Afterwards, Tosuni gets
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Genre/Form: Feature films
Fiction films
Film adaptations
Video recordings for the hearing impaired
Drama
Named Person: Hŭi-chʻang Kim
Material Type: Videorecording
Document Type: Visual material
All Authors / Contributors: 제작, 세종 영화 주식 회사 ; 원작, 김 희창 ; 각본, 유 일수 ; 감독, 박 상호. 도 금봉, 최 남현, 박 상호, 정 애란, 이 대엽 유 일수, 김 희창. ; ; Kŭm-bong To; Nam-hyŏn Ch'oe; Sang-ho Pak; Ae-ran Chŏng; Tae-yŏp Yi, (Actor); Il-su Yu; Hŭi-ch'ang Kim; Sejong Yŏnghwa Chusik Hoesa,; Han'guk Yŏngsang Charyowŏn (Seoul, Korea),; Korea (South). Munhwa Ch'eyuk Kwan'gwangbu,
OCLC Number: 976472270
Language Note: In Korean with Korean, English, Japanese, Chinese, Russian, Spanish, French or Arabic subtitles.
Notes: Based on the television drama 'Haengbok ŭi t'ansaeng."
Planned by Ministry of Culture, Sports and Tourism (MCST) of the Republic of Korea ; co-planned by Korean Film Archive.
Originally released as a motion picture in 1963.
Credits: Ch'waryŏng, Yu Chae-hyŏng ; ŭmak, Kim Yong-hwan ; p'yonjip, Yu Chae-wŏn.
Cast: To Kŭm-bong, Yi Tae-yŏp, Ch'oe Nam-hyŏn, Chŏng Ae-ran.
Description: 1 videodisc (92 min.) : sound, black and white ; 4 3/4 in.
Details: DVD; region ALL ; NTSC; 2.35:1 anamorpic widescreen.
Series Title: Modernization on screen : understanding Korean society and modernization through films.
Responsibility: chejak, Sejong Yŏnghwa Chusik Hoesa ; wŏnjak, Kim Hŭi-ch'ang ; kakpon, Yu Il-su ; kamdok, Pak Sang-ho.

Abstract:

Tosuni: "Tosuni, the second daughter of the boss of a transportation company, is a self-determined girl like her father who defected from Hamgyeong Province, North Korea after the liberation in 1945. One day, Jae-gu comes ask her father for a job only to be rejected, and Tosuni loans him some money out of pity. Heavily scolded by her father, she declares independence and leaves her home. Afterwards, Tosuni gets involved with Jae-gu again to take her money back only to console Jae-gu and to even set up to work in partnership. They plan to establish a business with a car, and save necessary funds for a "Saenara" car. The naive Jae-su, however, falls for the fraud, and this even puts Tosuni in danger. Tosuni's wits and will pulls them out of trouble, and they get engaged. Their purchase of the "Saenara" car eventually leads their parents and neighbors to the approval of this couple."--Container.

"Modernization has been an important subject for Korea in the last century. Modernization was exchangeable with economic development and industrialization, and people took part on the road to achieve the so-called "Miracle on the Han River." Consequently, Korea was accredited as one of the rare countries that accomplished rapid economic growth. The shadow, however, was cast deeply along with the fast track of the development, and Korean society is now facing all problems great and small. It is meaningful to look back at the process of Korean modernization and to view various aspects of the modern represented in the films. These endeavors bring us beyond the mere appreciation of the past in a retrospective fashion and provide us a chance to make a rendezvous of the past with the present and that of the present with the past. The films selected from each period reveal the problems, values, and subconsciousness of the time, and they function as referential frameworks for each other, which bring you the joy of new discoveries."--Commentary book.

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One day, Jae-gu comes ask her father for a job only to be rejected, and Tosuni loans him some money out of pity. Heavily scolded by her father, she declares independence and leaves her home. Afterwards, Tosuni gets involved with Jae-gu again to take her money back only to console Jae-gu and to even set up to work in partnership. They plan to establish a business with a car, and save necessary funds for a \"Saenara\" car. The naive Jae-su, however, falls for the fraud, and this even puts Tosuni in danger. Tosuni\'s wits and will pulls them out of trouble, and they get engaged. Their purchase of the \"Saenara\" car eventually leads their parents and neighbors to the approval of this couple.\"--Container.<\/span>\" ;\u00A0\u00A0\u00A0\nschema:description<\/a> \"\"Modernization has been an important subject for Korea in the last century. Modernization was exchangeable with economic development and industrialization, and people took part on the road to achieve the so-called \"Miracle on the Han River.\" Consequently, Korea was accredited as one of the rare countries that accomplished rapid economic growth. The shadow, however, was cast deeply along with the fast track of the development, and Korean society is now facing all problems great and small. It is meaningful to look back at the process of Korean modernization and to view various aspects of the modern represented in the films. These endeavors bring us beyond the mere appreciation of the past in a retrospective fashion and provide us a chance to make a rendezvous of the past with the present and that of the present with the past. 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<http:\/\/experiment.worldcat.org\/entity\/work\/data\/4714616562#CreativeWork\/haengbok_ui_t_ansaeng<\/a>> # Haengbok \u016Di t\'ansaeng.<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:CreativeWork<\/a> ;\u00A0\u00A0\u00A0\nschema:creator<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/4714616562#Person\/kim_hui_ch_ang<\/a>> ; # \uAE40 \uD76C\uCC3D.<\/span>\n\u00A0\u00A0\u00A0\nschema:name<\/a> \"Haengbok \u016Di t\'ansaeng.<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/4714616562#Event\/1960_1988<\/a>> # 1960-1988<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Event<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"1960-1988<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
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<http:\/\/experiment.worldcat.org\/entity\/work\/data\/4714616562#Person\/kim_hui_ch_ang<\/a>> # \uAE40 \uD76C\uCC3D.<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Person<\/a> ;\u00A0\u00A0\u00A0\nschema:familyName<\/a> \"Kim<\/span>\" ;\u00A0\u00A0\u00A0\nschema:givenName<\/a> \"H\u016Di-ch\'ang<\/span>\" ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"\uAE40 \uD76C\uCC3D.<\/span>\"@ko<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"H\u016Di-ch\'ang Kim<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/4714616562#Person\/kim_hui_chang<\/a>> # \uAE40 \uD76C\uCC3D<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Person<\/a> ;\u00A0\u00A0\u00A0\nschema:familyName<\/a> \"Kim<\/span>\" ;\u00A0\u00A0\u00A0\nschema:givenName<\/a> \"H\u016Di-ch\u02BBang<\/span>\" ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"\uAE40 \uD76C\uCC3D<\/span>\"@ko<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"H\u016Di-ch\u02BBang Kim<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/4714616562#Person\/pak_sang_ho_1931<\/a>> # \uBC15 \uC0C1\uD638<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Person<\/a> ;\u00A0\u00A0\u00A0\nschema:birthDate<\/a> \"1931<\/span>\" ;\u00A0\u00A0\u00A0\nschema:familyName<\/a> \"Pak<\/span>\" ;\u00A0\u00A0\u00A0\nschema:givenName<\/a> \"Sang-ho<\/span>\" ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"\uBC15 \uC0C1\uD638<\/span>\"@ko<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Sang-ho Pak<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/4714616562#Person\/to_kum_bong<\/a>> # \uB3C4 \uAE08\uBD09<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Person<\/a> ;\u00A0\u00A0\u00A0\nschema:familyName<\/a> \"To<\/span>\" ;\u00A0\u00A0\u00A0\nschema:givenName<\/a> \"K\u016Dm-bong<\/span>\" ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"\uB3C4 \uAE08\uBD09<\/span>\"@ko<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"K\u016Dm-bong To<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/4714616562#Person\/yi_tae_yop_actor<\/a>> # (Actor) \uC774 \uB300\uC5FD<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Person<\/a> ;\u00A0\u00A0\u00A0\nschema:familyName<\/a> \"Yi<\/span>\" ;\u00A0\u00A0\u00A0\nschema:givenName<\/a> \"Tae-y\u014Fp<\/span>\" ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"(Actor) \uC774 \uB300\uC5FD<\/span>\"@ko<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"\"@en<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/4714616562#Person\/yu_il_su<\/a>> # \uC720 \uC77C\uC218<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Person<\/a> ;\u00A0\u00A0\u00A0\nschema:familyName<\/a> \"Yu<\/span>\" ;\u00A0\u00A0\u00A0\nschema:givenName<\/a> \"Il-su<\/span>\" ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"\uC720 \uC77C\uC218<\/span>\"@ko<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Il-su Yu<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/4714616562#Place\/korea_south<\/a>> # Korea (South)<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Place<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Korea (South)<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/4714616562#Series\/modernization_on_screen_understanding_korean_society_and_modernization_through_films<\/a>> # Modernization on screen : understanding Korean society and modernization through films.<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nbgn:PublicationSeries<\/a> ;\u00A0\u00A0\u00A0\nschema:hasPart<\/a> <http:\/\/www.worldcat.org\/oclc\/976472270<\/a>> ; # \uB610\uC21C\uC774<\/span>\n\u00A0\u00A0\u00A0\nschema:name<\/a> \"Modernization on screen : understanding Korean society and modernization through films.<\/span>\" ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Modernization on screen : understanding Korean society and modernization through films<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/4714616562#Topic\/middle_class<\/a>> # Middle class<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Middle class<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/4714616562#Topic\/middle_class_korea_south<\/a>> # Middle class--Korea (South)<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Middle class--Korea (South)<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/4714616562#Topic\/social_conditions<\/a>> # Social conditions<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Social conditions<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/4714616562#Topic\/women_korea_south_social_conditions<\/a>> # Women--Korea (South)--Social conditions<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Women--Korea (South)--Social conditions<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/4714616562#Topic\/women_social_conditions<\/a>> # Women--Social conditions<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Women--Social conditions<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/id.loc.gov\/vocabulary\/countries\/ko<\/a>>\u00A0\u00A0\u00A0\u00A0a \nschema:Place<\/a> ;\u00A0\u00A0\u00A0\ndcterms:identifier<\/a> \"ko<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n