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Visualizing sensuous suffering and affective pain in early modern Europe and the Spanish Americas

Author: Heather Graham; Lauren Kilroy-Ewbank
Publisher: Leiden ; Boston : Brill, 2018.
Series: Brill's studies in intellectual history, v. 277.; Brill's studies in intellectual history., Brill's studies on art, art history, and intellectual history ;, v. 24.
Edition/Format:   eBook : Document : EnglishView all editions and formats
Summary:
Visualizing sensuous suffering and affective pain in Early Modern Europe and the Spanish Americas' is a trans-cultural collection of studies on visual treatments of the phenomena of suffering and pain in early modern culture. Ranging geographically from Italy, Spain, and the Low Countries to Chile, Mexico, and the Philippines and chronologically from the fourteenth to the eighteenth centuries, these studies  Read more...
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Genre/Form: Electronic books
Additional Physical Format: Print version:
Visualizing sensuous suffering and affective pain in early modern Europe and the Spanish Americas.
Leiden ; Boston : Brill, 2018
(DLC) 2017049978
Material Type: Document, Internet resource
Document Type: Internet Resource, Computer File
All Authors / Contributors: Heather Graham; Lauren Kilroy-Ewbank
ISBN: 9789004360686 9004360689
OCLC Number: 1008759100
Description: 1 online resource
Contents: Performing Pain --
Pain and Suffering in Franciscan Devotion --
Sensuous Suffering Through Word and Image.
Series Title: Brill's studies in intellectual history, v. 277.; Brill's studies in intellectual history., Brill's studies on art, art history, and intellectual history ;, v. 24.
Responsibility: edited by Heather Graham and Lauren G. Kilroy-Ewbank.

Abstract:

Visualizing sensuous suffering and affective pain in Early Modern Europe and the Spanish Americas' is a trans-cultural collection of studies on visual treatments of the phenomena of suffering and pain in early modern culture. Ranging geographically from Italy, Spain, and the Low Countries to Chile, Mexico, and the Philippines and chronologically from the fourteenth to the eighteenth centuries, these studies variously consider pain and suffering as somatic, emotional, and psychological experiences. From examination of bodies shown victimized by brutal public torture to the sublimation of physical suffering conveyed through the incised lines of Counter-Reformation engravings, the authors consider depictions of pain and suffering as conduits to the divine or as guides to social behaviour; indeed, often the two functions overlap.

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