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"Von einem sensationellen Erlebnis zum anderen getrieben ..." - Kriminalheftromane und die Zeitgestalt 'Serialität' in den 1920er und 1930er Jahren.

Author: Gudrun Weiland
Publisher: [Place of publication not identified] : Universitätsverlag Göttingen, 2017.
Edition/Format:   eBook : Document : GermanView all editions and formats
Summary:
By the 1920s and early 1930s the dime novel had already become well established as a medium for serial fiction and it developed innovative ways of shaping the temporality of literary communication: Recurring heroes made an appearance in more than one dime novel series at the same time, some even across media; publishers and writers found collective forms of text production not aiming to create one timeless work of
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Genre/Form: Electronic book
Criticism, interpretation, etc
Fiction
Material Type: Document, Internet resource
Document Type: Internet Resource, Computer File
All Authors / Contributors: Gudrun Weiland
ISBN: 9783863953096 3863953096
OCLC Number: 1030822243
Description: 1 online resource

Abstract:

By the 1920s and early 1930s the dime novel had already become well established as a medium for serial fiction and it developed innovative ways of shaping the temporality of literary communication: Recurring heroes made an appearance in more than one dime novel series at the same time, some even across media; publishers and writers found collective forms of text production not aiming to create one timeless work of art, but a continuous series of texts; readers learned to orient themselves with competing publishing schedules of different media and to comprehend the text world of a dime novel series by connecting a series of texts. The book deals with the question of how publishers, writers and readers shaped 'seriality' in the process of creating the fictional worlds of dime novels.

In den 1920er und frühen 1930er Jahren waren Heftromanserien keine neuartige Erscheinung, zeigten aber eine bemerkenswerte Vielfalt und Innovation im Umgang mit der Zeitlichkeit literarischer Kommunikation: Wiederkehrende Serienfiguren verbanden mehrere gleichzeitig erscheinende Serien zu komplexen, teilweise transmedialen Serienverbünden; Autorinnen und Autoren entwickelten kollektive Schreibweisen, die nicht auf die Erschaffung eines überzeitlichen Werkes abzielten, sondern eine Textproduktion "in Serie" ermöglichten; das Lesepublikum lernte, sich in der Fülle gleichzeitiger medialer Angebote zu orientieren und die Texte der Serien verstehend aufeinander zu beziehen. Die vorliegende Arbeit geht der Frage nach, wie die Beteiligten die Zeitlichkeit der literarischen Kommunikation als 'Serialität' gestalteten und dabei die fiktiven Welten von "Frank Allan. Der Rächer der Enterbten" oder "Tom Shark. Der König der Detektive" erschufen.

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Primary Entity

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