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West German filmmakers on film : visions and voices

Author: Eric Rentschler
Publisher: New York : Holmes & Meier, ©1988.
Series: Modern German voices series.
Edition/Format:   Print book : EnglishView all editions and formats
Summary:

A collection by West German film directors that provides a comprehensive overview of the German Cinema and its history which, since the 1960s has been marked by crisis and confrontation.

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Genre/Form: Aufsatzsammlung
History
Additional Physical Format: Online version:
West German filmmakers on film.
New York : Holmes & Meier, ©1988
(OCoLC)569139001
Material Type: Internet resource
Document Type: Book, Internet Resource
All Authors / Contributors: Eric Rentschler
ISBN: 0841909857 9780841909854 0841909849 9780841909847
OCLC Number: 15860215
Description: xxv, 262 pages ; 23 cm
Contents: Introduction: The writing out of West German film history --
Manifestos and declarations. The Oberhausen Manifesto (1962) ; The Mannheim Declaration (1967) ; The Hamburg Declaration (1979) ; The Manifesto of Women Film Workers (1979) ; The Munich Declaration (1983) --
The price of survival: institutional challenges. What do the 'Oberhauseners' want? / Alexander Kluge (1962) --
We have work to do / Hans Rolf Strobel and Heinrich Tichawsky (1965) --
Application for film subsidy / Vlado Kristl (1970) --
Letter to the Export-Union / Jean-Marie Straub (1975) --
We live in a dead country / Hans Jürgen Syberberg (1977) --
Dependent working conditions: about directing and producing / Hans W. Geissendörfer (1979) --
Something about nature and censorship / Herbert Achternbusch (1979) --
Men are responsible that women become their enemies: tales of rejection / Helke Sander (1980) --
Theses about the new media / Alexander Kluge (1983) --
Zimmermann's execution directives / Volker Schlöndorff (1983) --
The Filmverlag against the authors / Wim Wenders (1985) --
Popular approaches: generic models and utopian designs. ' ... preferably naked girls' / Eckhart Schmidt (1968) --
Emotion pictures (slowly rockin' on) / Wim Wenders (1970) --
The aesthetics of the 'worker film' / Christian Ziewer (1972) --
Relationships, reality, and realism / Robert Van Ackeren --
Taking leave of the security of esoteric / Hark Bohm (1977) --
Cinema, melodrama, and the world of emotion / Niklaus Schilling (1977) --
Come back, Peter Kraus! / Walter Bockmayer (1978) --
That's utopia: the cinema of my dreams / Rudolf Thome (1979) --
Utopian cinema / Alexander Kluge (1979) --
Michael Curtiz---anarchist in Hollywood?: unordered thoughts about a seemingly paradoxical idea / Rainer Werner Fassbinder --
Culture as hard currency or: Hollywood in Germany / Sohrab Shahid Saless (1983) Dofferemt ways of seeing. Freeing oneself from old hat / Ottomar Domnick (1965) --
Kelek / Wim Wenders (1969) --
The method of direct observation: two examples / Klaus Wildenhahn --
What really happens between the frames / Werner Nekes (1975) --
Gay film culture / Rosa von Praunheim (1976) --
Unordered notes on conventional narrative film / Klaus Wyborny (1976) --
Feminism and film / Helke Sander (1977) --
The spectator as entrepreneur / Alexander Kluge (1979) --
Some notes about our film work / Birgit Hein (1980) --
Women's films are searches for traces / Jutta Brückner (1981) --
Female film aesthetics / Margarethe von Trotta (1982) --
The pressure to make genre films: about the endangered Autorenkino / Ulrike Ottinger (1983) --
New European film and urban modernity / Alfred Behrens (1986) --
Discovering and preserving German film history. The other tradition / Alf Brustellin (1971) --
Death is no solution: the German film director Fritz Lang / Wim Wenders (1976) --
Rereading Kracauer's From Caligari to Hitler / Volker Schlöndorff (1980) --
The early days of the Ulm Institute for Film Design / Alexander Kluge (1980) --
The dream of a German film house / Edgar Reitz (1981) --
Tribute to Lotte Eisner / Werner Herzog (1982) --
Last words for Wolfgang Staudte / Christian Ziewer (1984) --
How a film classic becomes a video clip / Robert Van Ackeren (1985) Collective memory and national identity. That's entertainment: Hitler / Wim Wenders (1977) --
Germany in autumn: what is the film's bias? / Alf Brustellin, Rainer Werner Fassbinder, Alexander Kluge, Volker Schlöndorff, and Bernhard Sinkel --
The German feature film and reality / Rainer Werner Fassbinder (1978) --
The camera is not a clock / Edgar Reitz (1979) --
Mein Führer---our Hitler. The meaning of small words / Hans Jürgen Syberberg (1980) --
The experience of history / Eberhard Fechner (1984) --
The abode of the gods / Hans Jürgen Syberberg (1984) --
Bitburg: a text / Jean-Marie Straub (1985) --
In search of the lost Heimat / Josef Rödl (1986) --
Finding a home in Berlin / Martin Theo Krieger (1986) --
Filmmakers and critics. Learning to hear and see / Wim Wenders (1976) --
Public statement regarding Garbage, the city, and death / Rainer Werner Fassbinder (1976) --
Letter to Wolfram Schütte / Herbert Achternbusch (1979) --
My critics, my films, and I / Helma Sanders-Brahms (1980) --
Media response to Fassbinder's Berlin Alexanderplatz / Hans Jürgen Syberberg (1980) --
Response to H.C. Blumenberg / Christel Buschmann (1983) --
Directors and players. Talking about oppression with Margit Carstensen / Rainer Werner Fassbinder (1973) --
Some thoughts about Ernst / Wolfgang Petersen (1977) --
David Bennent and Oskar Mazerath / Volker Schlöndorff 1978) --
Working with Jutta Lampe / Margarethe von Trotta (1979) --
Erika from Würzburg: a portrait of the actress Magdalena Montezuma / Rosa von Praunheim (1981) --
Annamirl Bierbichler / Herbert Achternbusch (1984) --
Fire: Alfred Edel / Jean-Marie Straub (1986) Filmmakers and colleagues. A call to revolt: on Particularly noteworthy and Chronicle of Anna Magdalena Bach / Hellmuth Costard (1968) --
Red sun: baby, you can drive my car, and maybe I'll love you / Wim Wenders (1970) --
Searching for stories in a gray Germany / Doris Dörrie (1978) --
With fond greetings to Champagne-Schroeter / Rosa von Praunheim (1979) --
Homage to Werner Schroeter / Rainer Werner Fassbinder (1979) --
A rose for Rainer Werner / Herbert Achternbusch (1982) --
From beast to beast / Rosa von Praunheim (1982) --
Taking stock. Love of cinema / Edgar Reitz (1962) --
A dream / Volker Schlöndorff (1966) --
Amerika: report to the Goethe Institute / Herbert Achternbusch (1979) --
Thoughts about filmmaking in the FRG / Rudolf Thome (1980) --
'New German cinema, jeune cinéma allemand, good night': a day in Oberhausen, 1982 / Helma Sanders-Brahms (1982) --
New German cindma, 1962-83: a view from Hamburg / Helmut Herbst (1983) --
Pact with a dead man / Alexander Kluge (1984).
Series Title: Modern German voices series.
Responsibility: edited by Eric Rentschler.

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