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Winds of Spring

Author: National Film Board of Canada.
Publisher: [Montreal] : National Film Board of Canada, 2017.
Edition/Format:   eVideo : 3.5 in. disc : National government publication : EnglishView all editions and formats
Publication:National Film Board of Canada Screening Room
Summary:
Stay or go? Keyu Chen examines this emotionally charged question in her first professional animated film, Winds of Spring, a delicately crafted work that unfolds with the rhythm of the seasons. Based on the filmmaker's own personal experiences, this tenderly told story opens a window onto something universal. Driven by the irrepressible need for self-fulfillment, a young girl sets aside her family traditions and  Read more...
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Details

Genre/Form: Animated films
Short films
Material Type: Government publication, National government publication, Internet resource, Videorecording
Document Type: Internet Resource, Computer File, Visual material
All Authors / Contributors: National Film Board of Canada.
OCLC Number: 1076805884
Notes: Originally issued in 2017.
Credits: Director, Keyu Chen ; sound design, Olivier Calvert ; original music, Daniel Scott ; voice, Keyu Chen ; foley, Lise Wedlock ; music recording, Geoffrey Mitchell ; voice recording, Pierre Yves Drapeau ; re-recording, Jean Paul Vialard ; technical director, Pierre Plouffe ; consultant, Claude Cloutier, Janet Perlman, Jocelyne Perrier, Michèle Tougas ; executive producer, Julie Roy ; producer, Marc Bertrand.
Target Audience: Canadian Home Video rating: G.
Description: 1 streaming video file (0 min.) : sound, black and white
Responsibility: National Film Board of Canada.

Abstract:

Stay or go? Keyu Chen examines this emotionally charged question in her first professional animated film, Winds of Spring, a delicately crafted work that unfolds with the rhythm of the seasons. Based on the filmmaker's own personal experiences, this tenderly told story opens a window onto something universal. Driven by the irrepressible need for self-fulfillment, a young girl sets aside her family traditions and decides to leave the nest. In doing so, she begins an inexorable journey toward separation, with all of its magnificent and devastating implications for both her and her grandmother, who agrees to let her go. Keyu Chen employs her signature style of fluid transitions and fine, spare lines inspired by Chinese ink painting, in a film whose nuances of light and dark reflect the protagonist's hopes and dreams on the dawn of her departure.

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Primary Entity

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