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Word and Image in Colonial and Postcolonial Literatures and Cultures.

Author: Michael Meyer
Publisher: Leiden : BRILL, 2009.
Series: ASNEL papers.
Edition/Format:   eBook : Document : EnglishView all editions and formats
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Genre/Form: Electronic books
Additional Physical Format: Print version:
Meyer, Michael.
Word and Image in Colonial and Postcolonial Literatures and Cultures.
Leiden : BRILL, ©2009
Material Type: Document, Internet resource
Document Type: Internet Resource, Computer File
All Authors / Contributors: Michael Meyer
ISBN: 9789042027442 9042027444
OCLC Number: 1076233373
Description: 1 online resource (423 pages)
Contents: Intro; Word & Image in Colonial and Postcolonial Literatures and Cultures; Table of Contents; Acknowledgements; Illustrations and Permissions; Introduction: Word & Image --
Gaze & Spectacle; COLONIAL REPRESENTATIONS; Liberating the Strange Fish: Visual Representations of Caliban and Their Successive Emancipation from Shakespeare's Original Text; Hogarth and the Other; "The free treatment of topics usually taboo'd": Glimpses of the Harem in Eighteenth- and Nineteenth-Century Literature and the Fine Arts; Tourist Places, Other Gazes: Robert Louis Stevenson's Edinburgh. POSTCOLONIAL REPRESENTATIONS"Picture is a Silent Talker" (Apagya): African Studio Photography in the English Classroom; A Black and White Nation?: The 'New' South Africa in Zapiro's Cartoons; Zakes Mda's Representation of South African Reality: in Ways of Dying, The Madonna of Excelsior and The Whale Caller; Looking Out and Looking In: The Dynamic Use of Words and Images in the Oeuvre of Breyten Breytenbach; Whiteness as a Category of Literary Analysis: Racializing Markers and Race-Evasiveness in J.M. Coetzee's Disgrace; "Just for show": Visuality in Timothy Mo's The Monkey King. On Pickles, Pictures, and Words: Pick-torial Preservation and Verbal Self-Regeneration in Salman Rushdie's Midnight's Children"Neither united nor separated": Negotiating Difference in Ashutosh Gowariker's Lagaan and Ketan Mehta's Mangal Pandey; Transcultural Gender Interrogations in Bride and Prejudice: Intertextual Encounters of the South Asian Diasporic Kind; Missing in Act(i)on: Asian-British Pop Music Between Resistance and Commercialization; Vernacular Landscape: Narrative Space in Peter Carey's True History of the Kelly Gang. Regaining the Past and Shaping the Present: Indigenous Children's Fiction from Aotearoa New Zealand, Canada, and the USABetween Words and Images: Negotiating the Meaning of Home in Ken Lum's There Is No Place Like Home; The Mass-Slaughter of Native Americans in Jim Jarmusch's Dead Man: A Complex Interplay of Word and Image; Notes on Contributors.
Series Title: ASNEL papers.

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