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Working with audio

Author: Stanley R Alten
Publisher: Boston, Mass. : Course Technology PTR, ©2012.
Edition/Format:   eBook : Document : EnglishView all editions and formats
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Genre/Form: Electronic books
Electronic book
Additional Physical Format: Print version:
Alten, Stanley R.
Working with audio.
Boston, Mass. : Course Technology PTR, ©2012
(DLC) 2011933248
(OCoLC)744298337
Material Type: Document, Internet resource
Document Type: Internet Resource, Computer File
All Authors / Contributors: Stanley R Alten
ISBN: 9781435460560 1435460561
OCLC Number: 767857137
Description: 1 online resource
Contents: Ch. 1 Behavior of Sound --
The Sound Wave --
Frequency --
Amplitude --
Velocity --
Wavelength --
Acoustical Phase --
Sound Envelope --
Direct, Early, and Reverberant Sound --
Main Points --
ch. 2 The Ear and Hearing --
The Auditory System --
Hearing Loss --
Sound-Pressure Level --
Safeguards Against Hearing Loss --
Main Points --
ch. 3 Perception of Sound --
The Frequency Spectrum --
Frequency and Loudness --
Timbre --
Spatial Hearing --
Main Points --
ch. 4 Studio and Control Room Design --
Differences Between Studios and Control Rooms --
Noise --
Sound Isolation --
Room Dimensions --
Room Shape --
Room Acoustics --
Home and Project Studios --
Relationship of Studio Acoustics to Program Material --
Ergonomics --
Main Points --
ch. 5 Monitoring --
Performance Requirements of a Monitor Loudspeaker --
Monitor Placement --
Monitoring Stereo --
Monitoring Surround Sound --
Evaluating the Monitor Loudspeaker --
Headphones --
Main Points. Ch. 6 Microphones --
Operating Principles --
General Transducer Performance Characteristics --
Directional Characteristics --
Sound Response --
Various Types of Microphones --
Wireless Microphone System --
Microphone Accessories --
Microphone Care --
Main Points --
ch. 7 Microphone Techniques --
Phase and Polarity --
Six Principles --
Microphones for the Speaking Voice --
Basic Approaches to Miking Speakers --
Miking Music: Basic Approaches --
Miking Music: Stereo Arrays --
Miking Selected Instruments --
Surround-Sound Miking --
Main Points --
ch. 8 Mixers, Consoles, and Control Surfaces --
Mixers --
Consoles --
Analog and Digital Consoles --
On-Air Broadcast Consoles --
Production Consoles --
Channel Strips --
Patching --
Console Automation --
Digital Consoles --
Control Surfaces --
Main Points --
ch. 9 Recording --
Digital Audio --
Recording Systems --
Musical Instrument Digital Interface --
Connectors --
Digital Audio Networking --
Main Points. Ch. 10 Synchronization and Transfers --
Time Codes --
Synchronizing Digital Equipment --
Frame Rates --
Transfers --
Main Points --
ch. 11 Signal Processors --
Spectrum Processors --
Time Processors --
Amplitude Processors --
Noise Processors --
Multieffects Signal Processors --
Other Types of Plug-Ins --
Format Compatibility of Plug-Ins --
Main Points --
ch. 12 Editing --
Digital Editing --
Basic Functions in Digital Editing --
Transitions --
General Editing Guidelines --
Organization --
Differences Between Editing Sound and Editing Picture --
Editing Speech and Dialogue --
Editing Sound Effects --
Editing Music --
Listening Fatigue --
Main Points --
ch. 13 Mixing --
Basic Purposes of Mixing --
Maintaining Aesthetic Perspective --
Mixing Versus Layering --
Signal Processing --
Dynamic Range --
Mixing for Radio --
Spatial Imaging for Picture --
Spatial Imaging for Music --
Recordkeeping and Cue Sheets --
Metering --
Evaluating the Finished Product. Main Points --
ch. 14 Internet Audio --
Data Transfer Networks --
Audio Fidelity --
Online Collaborative Recording --
Podcasting --
Audio Production for Mobile Media --
Main Points --
ch. 15 Influences of Sound on Meaning --
Characteristics of Sound --
Nonverbal Speech --
Sound Effects --
Music --
Influences of Sound Design on Meaning --
Main Points.
Responsibility: Stanley R. Alten.

Abstract:

Provides readers with a fundamental understanding of the principles, technology, and techniques of audio production. This book covers the basics of audio production techniques in radio, TV, music,  Read more...

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1. Behavior of Sound. 2. The Ear and Hearing. 3. Perception of Sound. 4. Studio and Control Room Design. 5. Monitoring. 6. Microphones. 7. Microphone Techniques. 8. Mixers, Consoles, and Control Read more...

 
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