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Yoruba oral tradition in Islamic Nigeria : a history of Dàdàkúàdá Preview this item
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Yoruba oral tradition in Islamic Nigeria : a history of Dàdàkúàdá

Author: Abdul Rasheed Naʼallah
Publisher: New York : Routledge, 2019.
Series: Global Africa, 14.
Edition/Format:   eBook : Document : EnglishView all editions and formats
Summary:
This book traces Ddkd's history and artistic vision and discusses its vibrancy as the most popular traditional Yoruba oral art form in Islamic Africa. Foregrounding the role of Ddkd in Ilorin, and of Ilorin in Ddkd the book covers the history, cultural identity, performance techniques, language, social life and relationship with Islam of the oral genre. The author examines Ddkd's relationship with Islam and  Read more...
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Genre/Form: Electronic books
Criticism, interpretation, etc
Additional Physical Format: Print version:
Naʼallah, Abdul Rasheed, author.
Yoruba oral tradition in Islamic Nigeria
New York : Routledge, 2019
(DLC) 2019016159
Material Type: Document, Internet resource
Document Type: Internet Resource, Computer File
All Authors / Contributors: Abdul Rasheed Naʼallah
ISBN: 9780429295164 0429295162 9781000186543 1000186547 9781000207262 1000207269 9781000227987 1000227987 9780367260323 0367260328
OCLC Number: 1096235303
Description: 1 online resource.
Contents: Geography and culture of Ilorin --
Performance, poetry and oral traditions overview --
Developmental stages of Dàdàkúàdá --
Influence of Islam on Dàdàkúàdá --
Performance techniques --
Politics, partisanship and traditional oral poetry: an example of Odolaye Aremu --
Aremu Ose and performance topicality --
Aesthetic and didactic dimensions in Dàdàkúàdá --
Some Dàdàkúádá songs: Jaigbade Alao, Aremu Ose, Odolaye Aremu, Omoekee Amao, Karimu Isale Abata.
Series Title: Global Africa, 14.
Responsibility: Abdul-Rasheed Na'allah.

Abstract:

This book traces Ddkd's history and artistic vision and discusses its vibrancy as the most popular traditional Yoruba oral art form in Islamic Africa. Foregrounding the role of Ddkd in Ilorin, and of Ilorin in Ddkd the book covers the history, cultural identity, performance techniques, language, social life and relationship with Islam of the oral genre. The author examines Ddkd's relationship with Islam and discusses how the Ddkd singers, through their songs and performances, are able to accommodate Islam in ways that have ensured their continued survival as a traditional African genre in a predominantly Muslim community. This book will be of interest to scholars of traditional African culture, African art history, performance studies and Islam in Africa.

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<http:\/\/experiment.worldcat.org\/entity\/work\/data\/9028464842#Place\/nigeria_ilorin<\/a>> # Nigeria--Ilorin.<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Place<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Nigeria--Ilorin.<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
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